{"id":126715,"date":"2013-01-04T17:54:43","date_gmt":"2013-01-04T15:54:43","guid":{"rendered":"http:\/\/www.nationalturk.com\/?p=126715"},"modified":"2013-01-04T17:54:43","modified_gmt":"2013-01-04T15:54:43","slug":"senay-yuzbasioglu-vefat-etti-126715","status":"publish","type":"post","link":"https:\/\/www.nationalturk.com\/tr\/senay-yuzbasioglu-vefat-etti-126715\/","title":{"rendered":"\u015eenay Y\u00fczba\u015f\u0131o\u011flu vefat etti"},"content":{"rendered":"

\"\u015eenay‘Hayat Bayram Olsa’, ‘Sev Karde\u015fim’, ‘Honki Ponki’ \u015fark\u0131lar\u0131yla 70’li y\u0131llarda f\u0131rt\u0131na gibi esen pop m\u00fczik sanat\u00e7\u0131s\u0131 \u015eenay (Y\u00fczba\u015f\u0131o\u011flu) 62 ya\u015f\u0131nda \u0130stanbul\u00a0G\u00fcm\u00fc\u015fsuyu\u2019ndaki evinde vefat etti.<\/h1>\n

Sev Karde\u015fim \u015fark\u0131s\u0131yla milyonlara ismini duyuran Y\u00fczba\u015f\u0131o\u011flu aylard\u0131r a\u011fabeyiyle ya\u015fad\u0131\u011f\u0131 evinden \u00e7\u0131km\u0131yordu. \u015eenay Y\u00fczba\u015f\u0131o\u011flu yar\u0131n (Cumartesi) Dolmabah\u00e7e Camii\u2019nde k\u0131l\u0131nacak \u00f6\u011flen namaz\u0131n\u0131n ard\u0131ndan defnedilecek.<\/p>\n

1951 y\u0131l\u0131nda \u0130stanbul’da do\u011fan \u015eenay m\u00fczi\u011fe profesyonel olarak, 1969’da Erkan \u00d6zerman’\u0131n ke\u015ffi olarak onun Ankara’da a\u00e7t\u0131\u011f\u0131 \u2018Anahtarl\u0131 Bulvar\u2019 adl\u0131 bir gece kul\u00fcb\u00fcnde ba\u015flad\u0131. \u015eenay ayn\u0131 y\u0131l, daha sonra \u0130stanbul Geli\u015fim Orkestras\u0131 ad\u0131n\u0131 alacak \u015eerif Y\u00fczba\u015f\u0131o\u011flu, Salim A\u011f\u0131rba\u015f, Atilla \u00d6zdemiro\u011flu, Sel\u00e7uk Ba\u015far, U\u011fur Ba\u015far, Garo Mafyan, As\u0131m Erken’den kurulu orkestran\u0131n \u0130lhan Kayral’la birlikte iki solistinden biri oldu. Daha sonra \u015eenay’\u0131n orkestra partneri Neco oldu ve orkestraya Onno Tun\u00e7, Cengiz Teoman, A\u015fk\u0131n Arsunan, Atilla \u015eereftu\u011f, Erdal K\u0131z\u0131l\u00e7ay gibi m\u00fczisyenler kat\u0131ld\u0131. 1971’de orkestra \u015fefi \u015eerif Y\u00fczba\u015f\u0131o\u011flu ve \u015eenay evlendi.<\/p>\n

1971’de m\u00fcziklerini basit buldu\u011fu i\u00e7in pek g\u00f6n\u00fcll\u00fc olmadan ama aranjmanlar\u0131n s\u00f6zlerini de yazarak “Benim Olursan\/Sev Karde\u015fim” adl\u0131 pla\u011f\u0131 doldurdu. Pla\u011f\u0131n B y\u00fcz\u00fcndeki “Sev Karde\u015fim” patlar, hem y\u0131l\u0131n \u015fark\u0131s\u0131 se\u00e7ildi, hem de \u015eenay’a y\u0131l\u0131n \u015fark\u0131c\u0131s\u0131 \u00f6d\u00fcl\u00fcn\u00fc getirdi. 1972’de ayn\u0131 \u00f6d\u00fclleri bu kez de “Hayat Bayram Olsa\/Nen Var Can\u0131m Karde\u015fim?” ile ald\u0131.<\/p>\n

“Sev Karde\u015fim”, “Hayat Bayram Olsa”, “Beyaz \u00dclke”, “Ger\u00e7ek Nerde?”, “A\u00e7\u0131l Susam A\u00e7\u0131l”, “Ve A\u011fl\u0131yorum”, “Varlar Yoklar”, “D\u00f6n Art\u0131k”, “Sev Yeter ki”, “D\u00fcnden Bug\u00fcne”, “Sessiz Bir Yer” gibi pek \u00e7ok hit 45’lik yapt\u0131. D\u00f6nemin pop m\u00fczik \u015fark\u0131c\u0131lar\u0131n\u0131n aksine, s\u00f6zlerini kendi yazdi\u011f\u0131 \u015fark\u0131lar\u0131nda h\u00fcmanist konulardan bahsetti.<\/p>\n

Fiziksel g\u00f6r\u00fcn\u00fcm\u00fc de d\u00f6nemin alaturka, y\u0131rtma\u00e7l\u0131, a\u011f\u0131r makyajl\u0131 pop\u00e7ular\u0131ndan farkl\u0131yd\u0131. Punk haval\u0131 s\u00fcrrealist bir g\u00f6r\u00fcnt\u00fcs\u00fc vard\u0131. Zaten gazinolarda \u00e7ok az \u00e7al\u0131\u015ft\u0131, genelde m\u00fczik hayat\u0131n\u0131 plak ve konserlerle s\u00fcrd\u00fcrd\u00fc ve magazinden uzak durdu.<\/p>\n

\u015eenay ayn\u0131 zamanda siyazi mitinglerde g\u00f6rev alan ilk sanat\u00e7\u0131yd\u0131. B\u00fclent Ecevit’in “Karao\u011flan” lakab\u0131yla b\u00fcy\u00fck zafer kazand\u0131\u011f\u0131 se\u00e7imlerden \u00f6nce, mitinglerde Ecevit’ten \u00f6nce sahne al\u0131p “Sev Karde\u015fim” ve “Hayat Bayram Olsa”y\u0131 s\u00f6yledi. Bir d\u00f6nem TRT taraf\u0131ndan yasakl\u0131 sanat\u00e7\u0131lar aras\u0131ndayd\u0131.<\/p>\n

Atina, Yamaha, Tokyo gibi pop m\u00fczik festivallerine “Perhaps One Day”, “Let In the Light” gibi \u015fark\u0131larla kat\u0131l\u0131r, ald\u0131\u011f\u0131 7 \u00f6d\u00fclle uluslararas\u0131 festivallerde en \u00e7ok \u00f6d\u00fcl alan pop m\u00fczik \u015fark\u0131c\u0131lar\u0131ndan biri oldu. T\u00fcrkiye’ye gelen baz\u0131 caz sanat\u00e7\u0131lar\u0131na vokal yapt\u0131.<\/p>\n

1975’de ilk Eurovision \u015eark\u0131 Yar\u0131\u015fmas\u0131 elemelerine kat\u0131ld\u0131 ve s\u00f6zlerini kendi yazd\u0131\u011f\u0131 Sel\u00e7uk Ba\u015far bestesi “Umut” adl\u0131 \u015fark\u0131yla finale kalmay\u0131 ba\u015fard\u0131 ama e\u015fi \u015eerif Y\u00fczba\u015f\u0131o\u011flu j\u00fcride oldu\u011fu i\u00e7in, dedikodulara yol a\u00e7mamak i\u00e7in yar\u0131\u015fmadan \u00e7ekildi.<\/p>\n

T\u00fcrkiye’deki ilk ve tek alb\u00fcm\u00fc ise “\u015eenay” ad\u0131yla \u00e7\u0131kt\u0131. “Honki Ponki”, “\u00c7irozname”, “Dalkavuk”, “Kent Ya\u015fam\u0131”, “\u015eark\u0131lar”, “Doy Doy Doy Doymad\u0131m”, “Bir G\u00fcn O Yok Diyecekler” gibi \u015fark\u0131lar\u0131yla bir d\u00f6nemin m\u00fczik tarihine damgas\u0131n\u0131 vurdu.<\/p>\n

E\u015fi \u015eerif Y\u00fczba\u015f\u0131o\u011flu’nu kaybettikten sonra i\u00e7ine kapand\u0131 \u015eenay. 1981’de eski orkestra arkada\u015f\u0131 Sel\u00e7uk Ba\u015far’\u0131n \u0131srar\u0131yla onun “Bigudi” adl\u0131 \u015fark\u0131s\u0131n\u0131 seslendirdi ve Eurovision’da finale kald\u0131. Ama devam edemeyece\u011fini a\u00e7\u0131klay\u0131p \u015fark\u0131y\u0131 Neco’ya devretti.<\/p>\nError, group does not exist! Check your syntax! (ID: 62)<\/span>\n","protected":false},"excerpt":{"rendered":"

‘Hayat Bayram Olsa’, ‘Sev Karde\u015fim’, ‘Honki Ponki’ \u015fark\u0131lar\u0131yla 70’li y\u0131llarda f\u0131rt\u0131na gibi esen pop m\u00fczik sanat\u00e7\u0131s\u0131 \u015eenay (Y\u00fczba\u015f\u0131o\u011flu) 62 ya\u015f\u0131nda \u0130stanbul G\u00fcm\u00fc\u015fsuyu\u2019ndaki evinde vefat etti.<\/p>\n","protected":false},"author":4,"featured_media":180917,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6232,5005,36154,6805],"tags":[24917,119840,119841,119843,119844,119842],"class_list":["post-126715","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-magazin","category-manset","category-muzik","category-turkiye","tag-senay","tag-senay-vefat-etti","tag-senay-yuzbasioglu","tag-senay-yuzbasioglu-cenaze","tag-senay-yuzbasioglu-cenaze-toreni","tag-senay-yuzbasioglu-vefat-etti"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/posts\/126715","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/comments?post=126715"}],"version-history":[{"count":0,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/posts\/126715\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/media\/180917"}],"wp:attachment":[{"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/media?parent=126715"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/categories?post=126715"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/tags?post=126715"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}