{"id":127659,"date":"2013-01-16T16:25:39","date_gmt":"2013-01-16T14:25:39","guid":{"rendered":"http:\/\/www.nationalturk.com\/?p=127659"},"modified":"2022-09-13T02:07:09","modified_gmt":"2022-09-12T23:07:09","slug":"kristin-gudjonsdottir-kimdir-127659","status":"publish","type":"post","link":"https:\/\/www.nationalturk.com\/tr\/kristin-gudjonsdottir-kimdir-127659\/","title":{"rendered":"Kristin Gudjonsdottir Kimdir?"},"content":{"rendered":"

Sanat yazar\u0131 Meral Bostanc\u0131’n\u0131n \u0130zlandal\u0131 heykelt\u0131ra\u015f Kristin Gudjonsdottir’e sayg\u0131 niteli\u011findeki yaz\u0131s\u0131n\u0131 sizlerle payla\u015f\u0131yoruz;<\/h1>\n
\"Resim<\/a>
Resim 1 Mavi Cam Form (Blue Glass Form), 1995.<\/figcaption><\/figure>\n

\u0130zlandal\u0131 sanat\u00e7\u0131, Kar\u0131\u015f\u0131k Teknik Heykelt\u0131ra\u015f Kristin Gudjonsdottir (1966\u20132007), \u00e7\u00f6pl\u00fcklerden toplad\u0131\u011f\u0131 malzemeleri tekrardan kullanmay\u0131 ba\u015farabilmi\u015f, \u015fa\u015f\u0131rt\u0131c\u0131 bir sanat\u00e7\u0131d\u0131r.<\/p>\n

O, seramik, cam ve metal gibi farkl\u0131 materyallerle \u00fcretmi\u015f oldu\u011fu heykellerinin tamam\u0131n\u0131 “d\u00fcnyay\u0131 de\u011fi\u015ftirmek kendinizle ba\u015flar” ilkesinden yola \u00e7\u0131karak kullan\u0131lm\u0131\u015f malzemelerle olu\u015fturmu\u015f ve bu hurdalar\u0131 estetik birer sanat nesnesine d\u00f6n\u00fc\u015ft\u00fcrm\u00fc\u015f yarat\u0131c\u0131 bir sanat\u00e7\u0131d\u0131r.<\/p>\n

1995 y\u0131l\u0131nda California College of Arts and Crafts’tan mezun olan sanat\u00e7\u0131, 1995\u20131999 aras\u0131 yapt\u0131\u011f\u0131 ilk \u00e7al\u0131\u015fmalar\u0131nda, bir \u0130zlandal\u0131 olarak temel amac\u0131n\u0131n, kimlik aray\u0131\u015f\u0131 oldu\u011funu belirtir. H\u0131zla ilerleyen ve herkesi ayn\u0131 kal\u0131ba sokmaya \u00e7al\u0131\u015fan bir d\u00fcnyada, fast-food k\u00fclt\u00fcr\u00fc ile yeti\u015fen jenerasyondan ve toplu \u00fcretimden \u00e7\u0131karak kolayca f\u0131rlat\u0131l\u0131p at\u0131labilen \u00fcr\u00fcnlerle ya\u015fayan insanlardan biri olarak, el yap\u0131m\u0131, ev yap\u0131m\u0131 ya da onar\u0131larak yeniden kullan\u0131labilen \u00fcr\u00fcnlere ne oldu, sorusunu getirir \u00f6ncelikle. Ard\u0131ndan geri d\u00f6n\u00fc\u015f\u00fcm merkezlerinden pencere cam\u0131, cam i\u015fleme st\u00fcdyolar\u0131ndan renkli kesitler, yerel sanat\u00e7\u0131lardan kil par\u00e7alar\u0131, garaj sat\u0131\u015flar\u0131ndan s\u0131rl\u0131 seramik ve benzer malzemeleri bularak i\u015fe koyulur.<\/p>\n

\"Resim<\/a>
Resim 2 Ortas\u0131 Mavi Caml\u0131 Form (Form With Blue Glass in Middle), 1994.<\/figcaption><\/figure>\n

B\u00fcy\u00fckanne ve babas\u0131n\u0131n kullanm\u0131\u015f oldu\u011fu, as\u0131rlard\u0131r de\u011fi\u015fmeyen tar\u0131m ve bal\u0131k\u00e7\u0131l\u0131kla ilgili geleneksel aletlere \u00f6zel bir ilgi duyan sanat\u00e7\u0131, kendi \u00e7a\u011fda\u015flar\u0131n\u0131n bu aletler hakk\u0131nda en ufak bir bilgisinin olmad\u0131\u011f\u0131na dikkati \u00e7eker. \u0130zlanda’n\u0131n antik ara\u00e7 gere\u00e7lerine ili\u015fkin, nas\u0131l ve nerede kullan\u0131ld\u0131klar\u0131na dair konular\u0131 okur, ailesi ile akrabalar\u0131ndan, bunlarla ilgili hik\u00e2yeler anlatmalar\u0131n\u0131 ister.<\/p>\n

Kaliforniya’da, ailesinden binlerce mil \u00f6tede ya\u015farken, kendisi ve atalar\u0131 ile aras\u0131ndaki ba\u011f\u0131 anlama gere\u011fini hissetti\u011fini s\u00f6yleyen sanat\u00e7\u0131n\u0131n ilk \u00e7al\u0131\u015fmalar\u0131, s\u00f6z konusu geleneksel aletlerden etkilenerek kurgulad\u0131\u011f\u0131 heykellerdir. Bir bilinmezlik duygusuyla y\u00fckl\u00fc bu heykeller, sanki art\u0131k sonsuza kadar unutulmu\u015f bir fonksiyonlar\u0131 varm\u0131\u015f\u00e7as\u0131na dururlar ve izleyenleri kendilerine \u00e7ekerek cezbederler.<\/p>\n

Onun, kullan\u0131lm\u0131\u015f malzeme se\u00e7imine dair, son derece duyarl\u0131 kimli\u011fi i\u00e7inde s\u00f6yledi\u011fi \u015fu s\u00f6zlerinin \u00f6nemli oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyorum:<\/p>\n

“Yapmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131m modern toplumun ne kadar savruk oldu\u011funu ortaya koymak de\u011fil. Mesele, malzemenin tekrar kullan\u0131labilir olmas\u0131; belli bir ama\u00e7 ve i\u015flev i\u00e7in kullan\u0131lmas\u0131, malzemenin de\u011fi\u015ftirilmesine veya ba\u015fka bir \u015fey i\u00e7in farkl\u0131 bir \u015fekil verilmesine engel de\u011fil.”<\/p>\n

\"Resim<\/a>
Resim 3 A\u00e7\u0131k Mavi Sivri Form (Light Blue Pointed Form), 1996.<\/figcaption><\/figure>\n

Ne yaz\u0131k ki 2001 y\u0131l\u0131nda yakaland\u0131\u011f\u0131 meme kanseri, sanat\u00e7\u0131n\u0131n \u00e7al\u0131\u015fmalar\u0131nda belirgin bir de\u011fi\u015fikli\u011fe neden olur. Kaliforniya’dan Kuzey Carolina’ya ta\u015f\u0131nan sanat\u00e7\u0131n\u0131n yeni bir yerle ba\u011f\u0131nt\u0131lar kurmas\u0131, \u00fc\u00e7 \u00e7ocu\u011funun olmas\u0131 ve hastal\u0131\u011f\u0131, art\u0131k ilham ald\u0131\u011f\u0131 yeni konular olur.<\/p>\n

“Bug\u00fcn, ge\u00e7mi\u015fle kurmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131m ba\u011fa eskisi gibi gereksinim duymuyorum” diyen sanat\u00e7\u0131, art\u0131k kendisini \u00e7evreleyen ve ya\u015fam\u0131n\u0131 etkileyen konulara y\u00f6neldi\u011fini belirtir. 1993 y\u0131l\u0131 ve sonras\u0131nda 200’e yak\u0131n karma sergiye kat\u0131lm\u0131\u015f olan sanat\u00e7\u0131n\u0131n, 10 solo sergisi bulunmaktad\u0131r.<\/p>\n

2003 y\u0131l\u0131nda The Arts Council of Princeton’da d\u00fczenlenen solo sergisine “Pek \u00c7ok I” (So Many I) ad\u0131n\u0131 verir. Ayn\u0131 y\u0131l Carrboro Art Center’da, “Pek \u00c7ok II” (So Many II) ad\u0131 alt\u0131nda bir solo sergisi daha olur. “Pek \u00c7ok” serisini I, II, III, IV olarak s\u0131n\u0131fland\u0131ran sanat\u00e7\u0131n\u0131n \u00e7al\u0131\u015fmalar\u0131nda seramik \u00e7amurunu elle \u015fekillendirerek olu\u015fturdu\u011fu formlar bir zemin g\u00f6revini alm\u0131\u015ft\u0131r, \u00fcst\u00fcne yerle\u015ftirilen konik camlar ise e\u011fik durumda birbirini i\u015faret etmektedir, hamile g\u00f6be\u011fi g\u00f6stermek i\u00e7in dik de\u011fildirler ve z\u0131rhl\u0131 g\u00f6\u011f\u00fcsler gibi izleyiciye y\u00f6nlendirilmi\u015flerdir.<\/p>\n

\"4<\/a>
4 “Pek \u00c7ok Kald\u0131ra\u00e7 I” (Many Leyers I), The Arts Council of Princeton sergisinden, 2003<\/figcaption><\/figure>\n

Sanat\u00e7\u0131, “Pek \u00c7ok” (So Many) serisinde her bir par\u00e7ada tekrar edilen d\u00f6rt desenin, duygusal ini\u015f-\u00e7\u0131k\u0131\u015flar\u0131ndaki z\u0131t duygular\u0131 temsil etti\u011fini belirtir.<\/p>\n

Tedirgin, gergin ve allak bullak hissetmeyi spiral olarak; bo\u015fluk ve kaybolmu\u015fluk hissini halka (donut) \u015fekliyle; rahatlam\u0131\u015f ve dengeli hissini d\u00fcz \u00e7izgilerle; umut ve mutluluk hislerini ise daire \u015fekliyle sembolize etmi\u015ftir. “Bana par\u00e7alar\u0131n neden keskin cam koniler oldu\u011fu soruldu. Cevab\u0131m \u015f\u00f6yleydi: Kanser v\u00fccudumdan al\u0131nd\u0131\u011f\u0131nda (g\u00f6\u011f\u00fcs ameliyat\u0131), i\u00e7imde sald\u0131racak bir \u015fey kalmam\u0131\u015ft\u0131 ama d\u0131\u015f\u0131mda kendimi korumam gereken \u201cpek \u00e7ok \u015fey\u201d oldu\u011funu hissettim. Di\u011fer bir soru, d\u00f6rtl\u00fc gruplar\u0131 kullanmama dikkat \u00e7ekti. Bu da, g\u00f6\u011f\u00fcs kanseriyle ilgili di\u011fer kad\u0131nlar\u0131n deneyimlerini, benimkilerle kar\u015f\u0131la\u015ft\u0131rarak saptama ve daha sonra da bunlar\u0131 s\u0131n\u0131fland\u0131rma \u00e7abas\u0131yla ilgilidir. Bu y\u00fczden benimkiler i\u00e7in bir \u00e7ift, di\u011ferleri i\u00e7in de bir \u00e7ift olmal\u0131yd\u0131.”<\/p>\n

“Pek \u00c7ok” (So Many) serisinin ilki, ad\u0131na “Havva’n\u0131n Bir\u00e7ok Y\u00fcz\u00fc” (Many Faces of Eve) dedi\u011fi \u00e7al\u0131\u015fmad\u0131r. Sanat\u00e7\u0131, bu \u00e7al\u0131\u015fma ile ilgili olarak \u015funlar\u0131 s\u00f6yler:<\/p>\n

“Bu \u00e7al\u0131\u015fmay\u0131, 2001 ilkbahar\u0131nda bana g\u00f6\u011f\u00fcs kanseri te\u015fhisi konduktan sonra, bende ne kald\u0131\u011f\u0131n\u0131 ke\u015ffetme niyetiyle yapt\u0131m. V\u00fccudumun bu b\u00f6l\u00fcm\u00fcne hi\u00e7 odaklanmam\u0131\u015ft\u0131m ama ans\u0131z\u0131n t\u00fcm dikkatim oraya d\u00f6nd\u00fc. K\u00fc\u00e7\u00fck sanat terapi projem i\u00e7in fikir ararken, koni gibi g\u00f6r\u00fcnen g\u00f6\u011f\u00fcsler ve kaplar\u0131n hat\u0131ralar\u0131 zihnimde aniden canland\u0131. O d\u00f6nemlerde ayr\u0131ca kanser \u00fczerine yaz\u0131lan kitaplarla beynimi besliyordum. Bir kitap, bizim kanseri s\u0131k s\u0131k sava\u015f diye nitelendirdi\u011fimizi ifade ediyordu.<\/p>\n

\"Resim<\/a>
Resim 5 “Havva’n\u0131n Bir\u00e7ok Y\u00fcz\u00fc” ( Many Faces of Eve), The Arts Council of Princeton sergisinden, 2003<\/figcaption><\/figure>\n

S\u0131k\u00e7a s\u00f6ylenen bir c\u00fcmlenin dedi\u011fi gibi: ‘O kansere kar\u015f\u0131 sava\u015f\u0131 kaybetti.’ Bu sava\u015f fikri, bana kansere nas\u0131l bak\u0131labilece\u011fine dair yeni bir bak\u0131\u015f a\u00e7\u0131s\u0131 verdi. Bu, bana g\u00f6\u011f\u00fcsleri z\u0131rhl\u0131 Amazon kad\u0131nlar\u0131n\u0131 ve g\u00f6\u011f\u00fcs kost\u00fcml\u00fc Madonna\u2019y\u0131 d\u00fc\u015f\u00fcnmemi sa\u011flad\u0131. \u00c7al\u0131\u015fma, ad\u0131n\u0131 ve d\u00fczenlemesini, gen\u00e7ken izledi\u011fim ve beni o zaman etkilemi\u015f olan ‘Havva\u2019n\u0131n Bir\u00e7ok Y\u00fcz\u00fc’ ad\u0131ndaki siyah beyaz bir filmden al\u0131r.<\/p>\n

\u00c7al\u0131\u015fmada filmin i\u00e7eri\u011fini kullan\u0131yorum ve b\u00f6ylece izleyici bunun bir par\u00e7as\u0131 oluyor. (…) Hik\u00e2ye, b\u00f6l\u00fcnm\u00fc\u015f ki\u015fili\u011fe sahip bir kad\u0131n hakk\u0131ndad\u0131r.<\/p>\n

Hik\u00e2yede \u00e7ok normal bir ev han\u0131m\u0131 olan Eva White\u2019\u0131n bay\u0131lmaya ba\u015flad\u0131\u011f\u0131n\u0131 ve bu zaman zarf\u0131nda ‘\u00e7ok’ d\u0131\u015fa d\u00f6n\u00fck bir insana d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc ve bu olurken Eva Black olarak tan\u0131nd\u0131\u011f\u0131n\u0131 ke\u015ffediyoruz. Eva yard\u0131m al\u0131r ve bu iki ki\u015fili\u011fi Jane ad\u0131nda daha yeni ve sabit bir ki\u015fide birle\u015ftirmeyi ba\u015far\u0131r. Benim i\u00e7in de bu yeni ve daha iyi olan ki\u015fi, eserimde kanserin sizi ve ailenizi fena halde sarst\u0131ktan sonra hayat\u0131n\u0131 dengelemeyi ba\u015farabilmi\u015f bir ki\u015fi olarak canland\u0131r\u0131lm\u0131\u015ft\u0131r.”<\/p>\n

\"Resim<\/a>
Resim 6 “Pek \u00c7ok Tabaka I,II,III,IV”(Many Levels I,II,III,IV), The Arts Council of Princeton sergisinden, 2003<\/figcaption><\/figure>\n

G\u00f6steride di\u011ferlerinden \u00e7ok farkl\u0131 iki par\u00e7a daha vard\u0131r. Bunlardan ilki; dik olarak g\u00f6sterilen “Pek \u00c7ok \u0130mrenme” (So Many to Envy) ad\u0131ndad\u0131r. \u00dc\u00e7\u00fcnc\u00fc bebe\u011fi olduktan sonra t\u00fcm s\u00fct\u00fc biten sanat\u00e7\u0131, g\u00f6\u011fs\u00fcn\u00fcn tekrar simetrik olmas\u0131n\u0131 ister. \u0130lk rekonstr\u00fcksiyon pek i\u015fe yaramaz. Yeni g\u00f6\u011fs\u00fc deforme eden bir yara dokusu olu\u015fmu\u015ftur ve di\u011ferinden de bir par\u00e7a et al\u0131nm\u0131\u015ft\u0131r.<\/p>\n

\u00dc\u00e7 hamilelik ge\u00e7iren sanat\u00e7\u0131, bu y\u00fczden kalan g\u00f6\u011fs\u00fcn\u00fcn s\u00f6n\u00fck bir balon kadar p\u00f6rs\u00fck oldu\u011funu ve hala iki g\u00f6\u011fs\u00fc olanlara imrenmeden kendini alamad\u0131\u011f\u0131n\u0131 belirtir. Bu sergide, s\u00f6z konusu \u00e7al\u0131\u015fma, k\u0131yaslama hissi vermesi i\u00e7in g\u00f6\u011f\u00fcs hizas\u0131nda ve yatay olarak sergilenmi\u015ftir.<\/p>\n

“Raku ate\u015fiyle yap\u0131lm\u0131\u015f par\u00e7alar\u0131n daha fazla p\u0131r\u0131ldayan ‘sevimli’ g\u00f6r\u00fcn\u00fc\u015f\u00fc, ba\u015fkas\u0131na ait olman\u0131n vermi\u015f oldu\u011fu ‘g\u0131pta’yla benim eserimi bitiri\u015f tarz\u0131mdan ne kadar farkl\u0131d\u0131r. “‘\u00c7ok Fazla Ac\u0131’ (So Much Pain) ad\u0131ndaki di\u011fer par\u00e7a, bu g\u00f6steri i\u00e7in bitirilecek son par\u00e7ayd\u0131.” \u015feklinde konu\u015fan sanat\u00e7\u0131, \u00fc\u00e7\u00fcnc\u00fc bebe\u011fini tam olarak emzirememesinin acizli\u011finden ve hayal k\u0131r\u0131kl\u0131\u011f\u0131ndan bahsederek “\u00c7ok Fazla Ac\u0131”ya (So Much Pain) dair \u015funlar\u0131 ekler:<\/p>\n

“Emzirebilece\u011fim s\u00f6ylenmi\u015fti bu y\u00fczden bunun ger\u00e7ek olmad\u0131\u011f\u0131n\u0131 \u00f6\u011frenmem b\u00fcy\u00fck bir \u015fok oldu. S\u00fct \u015fi\u015fesi kapaklar\u0131n\u0131 her birinin \u00fczerine eritirken, yerime ge\u00e7en s\u00fct \u015fi\u015fesiyle bar\u0131\u015ft\u0131\u011f\u0131m\u0131 fark ettim. Bu yapt\u0131\u011f\u0131m son par\u00e7ayla gard\u0131m\u0131 d\u00fc\u015f\u00fcrd\u00fc\u011f\u00fcm\u00fc ve g\u00f6nl\u00fcm\u00fcn rahatlad\u0131\u011f\u0131n\u0131 hissettim.”<\/p>\n

\"Resim<\/a>
Resim 7″K\u0131rm\u0131z\u0131n\u0131n Pek \u00c7ok Tabakas\u0131 I,II”(Many Levels of Red I,II)The Arts Council of Princeton sergisi, 2003
Resim 8″Pek \u00c7ok \u0130mrenme” (So Many to Envy), The Arts Council of Princeton sergisi, 2003
Resim 9″\u00c7ok Fazla Ac\u0131” ( So Much Pain), The Arts Council of Princeton sergisi, 2003<\/figcaption><\/figure>\n

Ne var ki kanser, k\u0131sa s\u00fcrede akci\u011ferlerine de yay\u0131lm\u0131\u015ft\u0131r ve \u00e7al\u0131\u015fmalar\u0131na ayn\u0131 h\u0131zda s\u00fcrd\u00fcrmesine engel olur. Y\u0131llarca ve haftan\u0131n bir\u00e7ok g\u00fcn\u00fcn\u00fc sa\u011fl\u0131k kontrolleri ve kemoterapilerde ge\u00e7irir. Yine de ya\u015fam\u0131n\u0131n sonuna dek \u00fcretmekten hi\u00e7 vazge\u00e7mez.<\/p>\n

\"Resim<\/a>
Resim 10 Kristin Gudjonsdottir, Arizona Tucson’da yerle\u015fik Glance Gallery’de Ocak 2006’da d\u00fczenlenen solo sergisi i\u00e7in toplamda 200 par\u00e7adan olu\u015fan “Yengi” (Prevail) adl\u0131 panosunu monte ediyor.<\/figcaption><\/figure>\n

Son solo sergisi Ocak 2006’da Glance Gallery’de yap\u0131l\u0131r. Bu seride yer alan ve “Yengi” (Prevail) ad\u0131n\u0131 verdi\u011fi \u00e7al\u0131\u015fmas\u0131, b\u00fcy\u00fck bir duvar par\u00e7as\u0131 yapma iste\u011fiyle ortaya \u00e7\u0131km\u0131\u015ft\u0131r.<\/p>\n

Sanat\u00e7\u0131, her biri camdan bir koniyle birbirine tutturulmu\u015f iki y\u00fcz k\u00e2seden olu\u015fmakta olan bu panoya ait par\u00e7alar\u0131n uzunca bir s\u00fcre bir kutuda durdu\u011fundan bahseder ve yakla\u015f\u0131k iki y\u0131l sonra bir sabah b\u00fct\u00fcn bunlar\u0131 nas\u0131l sergileyebilece\u011fini bulmas\u0131n\u0131 \u015f\u00f6yle a\u00e7\u0131klar:<\/p>\n

“\u00c7ok \u00f6nemli bir \u015feyi ke\u015ffettim: Hepimiz e\u015fsiziz. Sizin i\u00e7in tek bir kitab\u0131n mutlak do\u011fru bilgiyi i\u00e7erdi\u011fini veya baz\u0131 bitkilerin ve yemek form\u00fcl\u00fcn\u00fcn bir kimse i\u00e7in v\u00fccudunu iyile\u015ftirmede ‘tek bir y\u00f6ntem’ oldu\u011funu s\u00f6ylemek m\u00fcmk\u00fcn de\u011fildir. Ne var ki, bunu en basit \u015fekliyle, hipnotizma veya Kinesioloji olarak bilinen ve kas tepkimesi de denilen y\u00f6ntemle v\u00fccudunuza sorarak nelere ihtiyac\u0131 oldu\u011fu konusunda bir\u00e7ok \u015fey \u00f6\u011frenebilirsiniz.”<\/p>\n

Kristin Gudjonsdottir, hen\u00fcz 41 ya\u015f\u0131nda iken, 6 y\u0131l boyunca m\u00fccadele verdi\u011fi kansere yenik d\u00fc\u015fm\u00fc\u015f ve 2007 y\u0131l\u0131n\u0131n sonunda hayat\u0131n\u0131 kaybetmi\u015ftir. Sanat\u0131na hayran oldu\u011fum ve yap\u0131tlar\u0131ndan ilham ald\u0131\u011f\u0131m bu \u00f6zel sanat\u00e7\u0131n\u0131n art\u0131k ya\u015fam\u0131yor oldu\u011funu bilmek \u00e7ok ac\u0131…<\/p>\n

Onun \u00f6zel bir sanat\u00e7\u0131 olu\u015fu, \u00f6zg\u00fcn ve yarat\u0131c\u0131 sanat\u0131n\u0131n yan\u0131 s\u0131ra, bildi\u011fi her \u015feyi payla\u015fan ve meslek s\u0131rlar\u0131n\u0131 a\u00e7\u0131klamaktan \u00e7ekinmeyen, son derece al\u00e7ak g\u00f6n\u00fcll\u00fc ki\u015fili\u011fe sahip \u00f6rnek bir sanat\u00e7\u0131 olmas\u0131ndan \u00f6t\u00fcr\u00fcd\u00fcr. Sanat\u0131 ile ilgili olduk\u00e7a detayl\u0131 bilgileri sundu\u011fu web sitesinde (http:\/\/www.art.net\/~stina\/) yer alan yaz\u0131lar ve ‘SSS’ (FAQ) b\u00f6l\u00fcm\u00fcnde vermi\u015f oldu\u011fu teknik detaylar, onun egolar\u0131n\u0131n tutsa\u011f\u0131 olmam\u0131\u015f, payla\u015f\u0131mc\u0131, m\u00fctevaz\u0131 ve h\u00fcmanist ki\u015fili\u011fini a\u00e7\u0131k\u00e7a ortaya koymaktad\u0131r.<\/p>\n

\"Resim<\/a>
Resim 11 “Yengi” (Prevail) adl\u0131 duvar panosunun sergilenen g\u00f6r\u00fcnt\u00fcs\u00fc.<\/figcaption><\/figure>\n

Kristin Gudjonsdottir, yap\u0131tlar\u0131yla oldu\u011fu kadar, payla\u015ft\u0131\u011f\u0131 bilgilerle de hep ya\u015fayacak… Yine sitesinde yer alan, Dalai Lama’n\u0131n bir deyi\u015finde oldu\u011fu gibi: “Bilginizi payla\u015f\u0131n. Bu \u00f6l\u00fcms\u00fczl\u00fc\u011fe ula\u015fman\u0131n bir yoludur.”<\/p>\n

Bu yaz\u0131, Kristin Gudjonsdottir’e sayg\u0131 amac\u0131yla kaleme al\u0131nm\u0131\u015ft\u0131r.<\/p>\n

Bu do\u011frultuda, sanat\u00e7\u0131y\u0131 ve sanat\u0131n\u0131 onu bilmeyen \u00e7evrelere tan\u0131tmak temel hedef olarak belirlenmi\u015ftir.<\/p>\n

Yaz\u0131y\u0131, yine sevgili Kristin Gudjonsdottir’in bir s\u00f6z\u00fcyle bitirece\u011fim.<\/p>\n

Sitesinden bir g\u00fcnl\u00fck tutar gibi yazd\u0131\u011f\u0131 notlar\u0131ndan birinde aynen \u015f\u00f6yle diyor:<\/p>\n

“(…) herkese ge\u00e7mi\u015fte ya\u015fananlar\u0131 unutmalar\u0131n\u0131n ve kendilerini sevmeyi \u00f6\u011frenmelerinin en \u00f6nemli \u015fey oldu\u011funu \u015fiddetle tavsiye ederim.”<\/p>\n

10.01.2013<\/strong>
\n \u0130stanbul<\/strong><\/p>\n\n\n","protected":false},"excerpt":{"rendered":"

Sanat yazar\u0131 Meral Bostanc\u0131’n\u0131n \u0130zlandal\u0131 heykelt\u0131ras Kristin Gudjonsdottir’e sayg\u0131 niteli\u011findeki yaz\u0131s\u0131n\u0131 sizlerle payla\u015f\u0131yoruz.<\/p>\n","protected":false},"author":3,"featured_media":127660,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6221,36154,6670],"tags":[819,120857,120863],"class_list":["post-127659","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur","category-muzik","category-sanat","tag-madonna","tag-meme-kanseri","tag-meral-bostanci"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/posts\/127659","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/comments?post=127659"}],"version-history":[{"count":0,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/posts\/127659\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/media\/127660"}],"wp:attachment":[{"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/media?parent=127659"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/categories?post=127659"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/tags?post=127659"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}