{"id":129412,"date":"2013-02-07T11:48:45","date_gmt":"2013-02-07T09:48:45","guid":{"rendered":"http:\/\/www.nationalturk.com\/?p=129412"},"modified":"2013-02-07T11:48:45","modified_gmt":"2013-02-07T09:48:45","slug":"fazil-say-sureyya-operasinda-buyuledi-hincal-uluc-harikalar-yaratan-turkiyem-129412","status":"publish","type":"post","link":"https:\/\/www.nationalturk.com\/tr\/fazil-say-sureyya-operasinda-buyuledi-hincal-uluc-harikalar-yaratan-turkiyem-129412\/","title":{"rendered":"Faz\u0131l Say S\u00fcreyya Operas\u0131’nda b\u00fcy\u00fcledi \/ H\u0131ncal Ulu\u00e7: Harikalar yaratan T\u00fcrkiyem…"},"content":{"rendered":"

\"Faz\u0131lD\u00fcnyaca \u00fcnl\u00fc piyanist Faz\u0131l Say, 5 ve 6 \u015eubat’ta Akbank Sanat’ta sundu\u011fu iki resitalle sanatseverleri adeta b\u00fcy\u00fcledi. Sabah gazetesi yazar\u0131 H\u0131ncal Ulu\u00e7 da Faz\u0131l Say’\u0131 \u00f6ve \u00f6ve bitiremedi.<\/h1>\n

H\u0131ncal Ulu\u00e7’un yaz\u0131s\u0131;<\/p>\n

Harikalar yaratan T\u00fcrkiyem.. Salona bakt\u0131m.. Nas\u0131l hu\u015fu i\u00e7inde, nas\u0131l kendilerinden ge\u00e7mi\u015f izliyordu oturanlar.. Bir ayin vard\u0131 sanki.. Tu\u015flar\u0131n \u00fczerinde dola\u015fan sihirli parmaklar bir ka\u00e7 santim havaland\u0131.. Bir an orda durdu.. Sonra sanat\u00e7\u0131 aya\u011fa kalkt\u0131..<\/p>\n

.. ve k\u0131yamet koptu.. O nefes dahi almaktan korkarak kendilerini m\u00fczi\u011fe vermi\u015f, dal\u0131p gitmi\u015f insanlar, birden co\u015ftular.. Alk\u0131\u015flar yetmedi, han\u00e7ereler girdi i\u015fin i\u00e7ine.. “Bravolar” y\u0131\u011f\u0131ld\u0131. Sanat\u00e7\u0131 gitti, geldi, gitti, geldi..
\nDoyamam\u0131\u015ft\u0131 insanlar.. Bir saat ara vermeden \u00e7alm\u0131\u015ft\u0131 asl\u0131nda, ama be\u015f dakika gibi gelmi\u015fti herkese..
\nEtraf\u0131m\u0131 sard\u0131 hi\u00e7 tan\u0131mad\u0131klar\u0131m..
\n“Nas\u0131l r\u00fcya gibiydi” dedi i\u00e7lerinden biri..
\n“Bu adam\u0131 mahkemeye vereni Allah \u00e7arpar” dedim.. \u0130\u00e7imden o geldi o an..<\/p>\n

<\/p>\n

Faz\u0131l Say konser turlar\u0131 i\u00e7in t\u0131klay\u0131n<\/h2>\n

<\/a><\/p>\n

***<\/p>\n

Faz\u0131l Say.. Esen K\u0131vrak.. Olgu K\u0131z\u0131lay.. Efdal Altun.. \u00c7a\u011f Er\u00e7a\u011f!..
\nEn ba\u015ftaki d\u00fcnyan\u0131n ya\u015fayan en b\u00fcy\u00fck piyanistlerinden.. Sonraki d\u00f6rt isim, d\u00fcnya \u015fampiyonlu\u011funu, New York Carnegie Hall’da 82 d\u00fcnya \u00fclkesi aras\u0131nda alt\u0131n madalya alarak belgelemi\u015f Borusan Kuartet..
\nD\u00fcnyan\u0131n d\u00f6rt bir yan\u0131nda konser veren, t\u00fcm konserlerinde salonlar\u0131, son koltu\u011funa kadar dolduran sanat\u00e7\u0131lar bunlar.. Benim \u00fclkemin, T\u00fcrkiyemin harika \u00e7ocuklar\u0131..
\nBakmay\u0131n bizim memlekette adlar\u0131 medyada ge\u00e7mez.. Ya da “Olumsuz haberler” yarat\u0131rlar da o zaman duyars\u0131n\u0131z..
\nD\u00fcnya \u00e7ap\u0131nda sanatlar\u0131ndan kimsenin haberi yoktur.. D\u00fcnyay\u0131 sarsan konserlerini kimseler bilmez.. T\u00fcrkiye’dekini bilmezler, \u00f6tesini ge\u00e7in..
\nSanat\u00e7\u0131l\u0131klar\u0131n\u0131n yan\u0131nda, be\u015fi de d\u00fcnya tatl\u0131s\u0131 adamlard\u0131r.. Sohbetlerine doyamazs\u0131n\u0131z.. Nas\u0131l sevecenlerdir.. Kendilerine uzanan ellere nas\u0131l sevgiyle uzan\u0131rlar..
\n\u00c7ok iyi bilirim.. \u00c7\u00fcnk\u00fc, ne mutlu bana.. Be\u015fi de arkada\u015f\u0131md\u0131r.. Yak\u0131n arkada\u015f\u0131m.. “Sana en gurur veren dostluklar\u0131n\u0131 yaz” deseler hayatta, ilk ona girerler..
\n***<\/p>\n

Pazartesi gecesi Kad\u0131k\u00f6y S\u00fcreyya’da Borusan’a gitmi\u015ftim.. \u00dc\u00e7 \u00e7a\u011fda\u015f T\u00fcrk bestecisinin \u00fc\u00e7 eserinin D\u00fcnya Pr\u00f6miyerini yapt\u0131lar ilk b\u00f6l\u00fcmde, d\u00fcn yazd\u0131m.. \u0130kinci b\u00f6l\u00fcmde, \u0130svi\u00e7reli bir klarnet sanat\u00e7\u0131s\u0131, gene d\u00fcnyaca \u00fcnl\u00fc Reto Bieri kat\u0131ld\u0131 aralar\u0131na..
\nReto, \u00f6nce k\u0131sa bir solo yap\u0131p kendini tan\u0131tt\u0131 bize.. Elinde g\u00f6rmedi\u011fim kadar uzun bir klarnet var. G\u00fcrer (Aykal) kula\u011f\u0131ma e\u011fildi.. “Bu \u00e7al\u0131nmas\u0131 \u00e7ok zor bir klarnet t\u00fcr\u00fcd\u00fcr.. B\u00fcy\u00fck klarnet.. Ayr\u0131ca c\u0131rtlak bir \u00e7alg\u0131d\u0131r. Ondan b\u00f6yle hafif, t\u00fcy gibi sesler \u00e7\u0131karmak.. M\u00fcthi\u015f.. M\u00fcthi\u015f..”
\nSonra Kuartet geldi sahneye.. Be\u015fli oldular.. Mozart’\u0131n Klarnet Be\u015flisi’ni seslendirmek i\u00e7in..
\nYani olmaz b\u00f6yle \u015fey.. Bu nas\u0131l bir m\u00fcziktir.. Hele ritmin yava\u015flad\u0131\u011f\u0131 ikinci b\u00f6l\u00fcm.. Gen\u00e7lik g\u00fcnlerimde, bu yava\u015f b\u00f6l\u00fcmleri \u00e7ok severdim.. Sevgilinin ellerini elinin i\u00e7ine al\u0131r, m\u00fczi\u011fi kalbine ak\u0131t\u0131rs\u0131n.. Ya\u015f olgunla\u015ft\u0131k\u00e7a, h\u0131zl\u0131 b\u00f6l\u00fcmler \u00e7ekmeye ba\u015flad\u0131 beni.. \u015eimdi gene yava\u015flar kalbimi h\u0131zland\u0131r\u0131yor.. Hayallere dald\u0131r\u0131yor.. Ya\u015fl\u0131l\u0131k alameti bu olmal\u0131..
\nMuhte\u015fem bir klarnet dinledim, muhte\u015fem bir d\u00f6rtl\u00fc e\u015fli\u011finde bu beni al\u0131p r\u00fcyalara g\u00f6t\u00fcren b\u00f6l\u00fcmde.. Bitti\u011finde G\u00fcrer’e e\u011fildim..
\n“Ben \u015fimdi ‘Bravo’ diye hayk\u0131rmak istiyorum.. Niye ille de iki b\u00f6l\u00fcm daha beklemek zorunday\u0131m” dedim.. G\u00fcrer parma\u011f\u0131yla “Sus” i\u015fareti yapt\u0131, beni sakinle\u015ftirmek i\u00e7in..
\nSonra saray bestecisi Mozart’\u0131n adeta saray danslar\u0131 i\u00e7in yazd\u0131\u011f\u0131 \u00e7\u0131lg\u0131n b\u00f6l\u00fcmler girdi ba\u015flad\u0131.
\nTanr\u0131m.. Bu nas\u0131l m\u00fcziktir?.. “Salier’i, Mozart’\u0131 zehirletmekte hakl\u0131.. Bu adam haince m\u00fczik yaz\u0131yor” dedim, G\u00fcrer’e, b\u00fct\u00fcn salonla birlikte aya\u011fa f\u0131rlamadan \u00f6nce..
\nS\u00fcreyya y\u0131k\u0131ld\u0131.. Biz y\u0131k\u0131ld\u0131k..
\nAnkaral\u0131lar ka\u00e7\u0131rmas\u0131n.. Borusan Kuartet bu cumartesi Bilkent Salonunda (G\u00fcrer, “T\u00fcrkiye’nin akusti\u011fi en iyi salonu” dedi) Bilkent Senfoni e\u015fli\u011finde \u00e7alacak..
\n***<\/p>\n

Sal\u0131 ak\u015fam\u0131 Aksanat Taksim’in minik salonunda Faz\u0131l vard\u0131..
\n\u00d6nce bir Mussorgsky \u00e7ald\u0131.. Bir Sergiden Tablolar en sevdi\u011fim eserlerdendir.. Harikayd\u0131 Faz\u0131l.. Bu kadar yak\u0131ndan izlemenin tad\u0131 da ayr\u0131 oluyor.. \u00c7alarken ayr\u0131 bir aleme nas\u0131l dald\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcyorsunuz.. Kendisi dahil birileri ile konu\u015fuyor..
\nSonra Faz\u0131l Say’a geldi s\u0131ra.. Kendi bestelerini seslendirdi.. Naz\u0131m!.. \u00dc\u00e7 g\u00fcn \u00fc\u00e7 gece dinlesem doyamam.. Gene ola\u011fan\u00fcst\u00fcyd\u00fc..
\nMavi Su.. Kadir s\u00f6yledi, Dursun.. “Su” diye bir \u00fc\u00e7leme haz\u0131rl\u0131yormu\u015f.. Mavi Su, Kara Su, Ye\u015fil Su.. D\u00fcnya pr\u00f6miyeri 2014’te yap\u0131lacakm\u0131\u015f.. Onu b\u00f6yle “Dost” konserlerinde b\u00f6l\u00fcm b\u00f6l\u00fcm \u00e7al\u0131yormu\u015f.. M\u00fcthi\u015fti Mavi Su..
\n..Ve Bodrum.. F\u0131k\u0131r f\u0131k\u0131r Bodrum..
\n\u00dc\u00e7\u00fcn\u00fcn de ortak yan\u0131.. \u00dc\u00e7\u00fcnde de, bu \u00fclke m\u00fczi\u011finin t\u0131n\u0131lar\u0131 var.. Hissediyor, ya\u015f\u0131yorsunuz, Ege’yi, Karadeniz’i, Akdeniz’i..
\nBu vatan\u0131n \u00e7ocu\u011fu Faz\u0131l “Buram buram T\u00fcrkiye” yaz\u0131yor.. “Buram buram T\u00fcrkiye” \u00e7al\u0131yor..
\n..Ve bir tak\u0131m insanlar onu T\u00fcrkiyesinden koparmak i\u00e7in adeta yar\u0131\u015f\u0131yor, yetmiyor k\u0131na yak\u0131yorlar..
\nNas\u0131l insanlar\u0131z biz?.
\nSevgi var m\u0131 i\u00e7imizde?.
\n\u0130nsan sevgisi!.. Vatan sevgisi?..
\nKendimizi seviyor muyuz biz?.<\/p>\n\n","protected":false},"excerpt":{"rendered":"

D\u00fcnyaca \u00fcnl\u00fc piyanist Faz\u0131l Say, 5 ve 6 \u015eubat’ta Akbank Sanat’ta sundu\u011fu iki resitalle sanatseverleri adeta b\u00fcy\u00fcledi. Sabah gazetesi yazar\u0131 H\u0131ncal Ulu\u00e7 da Faz\u0131l Say’\u0131 \u00f6ve \u00f6ve bitiremedi.<\/p>\n","protected":false},"author":4,"featured_media":180413,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6155,6221,5005,6670,6805],"tags":[1585,37848,3750,122718,9880],"class_list":["post-129412","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gundem","category-kultur","category-manset","category-sanat","category-turkiye","tag-fazil-say","tag-fazil-say-konseri","tag-fazil-say-konserleri","tag-gurer-aykal","tag-hincal-uluc"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/posts\/129412","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/comments?post=129412"}],"version-history":[{"count":0,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/posts\/129412\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/media\/180413"}],"wp:attachment":[{"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/media?parent=129412"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/categories?post=129412"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/tags?post=129412"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}