{"id":24767,"date":"2010-05-24T17:49:03","date_gmt":"2010-05-24T14:49:03","guid":{"rendered":"http:\/\/www.nationalturk.com\/?p=24767"},"modified":"2022-09-19T03:02:19","modified_gmt":"2022-09-19T00:02:19","slug":"uvey-evlat-sanat-240510","status":"publish","type":"post","link":"https:\/\/www.nationalturk.com\/tr\/uvey-evlat-sanat-240510\/","title":{"rendered":"\u0130stikl\u00e2l Caddesi ve \u00dcvey Evlat Sanat"},"content":{"rendered":"<p><a href=\"http:\/\/www.nationalturk.com\/tr\/wp-content\/uploads\/2010\/05\/yilmaz-koksal.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-24779\" src=\"http:\/\/www.nationalturk.com\/tr\/wp-content\/uploads\/2010\/05\/yilmaz-koksal.jpg\" alt=\"\" width=\"88\" height=\"115\" title=\"\"><\/a>Bir sene i\u00e7inde kapanan sinema salonlar\u0131n\u0131n say\u0131s\u0131,\u00fclke \u00e7ap\u0131nda 35 adet. Kapat\u0131lan salonlar\u0131n bir \u00e7o\u011fu \u0130stanbul&#8217;da,yani bir nev&#8217;i sanat\u0131n ba\u015fkentinde.<\/p>\n<p>Son g\u00fcnlerde ad\u0131 s\u0131k s\u0131k an\u0131lan hatta tart\u0131\u015fma programlar\u0131na g\u00fcndem te\u015fkil eden Emek Sinemas\u0131,sanata kar\u015f\u0131 y\u00fcr\u00fct\u00fclen bilin\u00e7li ya da bilin\u00e7siz bir yok etme kampanyas\u0131n\u0131n adeta simgesi oldu.<\/p>\n<h1>\u0130stikl\u00e2l Caddesi&#8217;nde y\u00fcr\u00fcd\u00fcn\u00fcz m\u00fc?<\/h1>\n<p>Emek Sinemas\u0131&#8217;n\u0131n da i\u00e7inde bulundu\u011fu tarihi Cercle D&#8217;orient binas\u0131n\u0131 y\u0131k\u0131p yeni bir al\u0131\u015fveri\u015f merkezi yap\u0131lmas\u0131 projesi duyarl\u0131 sanat ve \u015fehirseveleri ayakland\u0131rd\u0131. Tarihi yap\u0131 i\u00e7inde yer alan Emek Sinemas\u0131 1924 y\u0131l\u0131nda a\u00e7\u0131ld\u0131 ilk olarak.<\/p>\n<p>O y\u0131llarda perdesinin iki yan\u0131nda Art Nouveau tarz\u0131nda yer alan iki melek fig\u00fcr\u00fc nedeniyle Melek ad\u0131n\u0131 ald\u0131. Neredeyse 900 koltuk kapasiteli, dev perdeli duvarlar\u0131 Barok Rokoko i\u015femelerle s\u00fcsl\u00fc tarihi salon bug\u00fcn art\u0131k yok olmak \u00fczere.<\/p>\n<p>Oysa kimlerin g\u00f6r\u00fcnt\u00fcleri d\u00fc\u015fmemi\u015f o perdeye? Kimlerin sesleri yank\u0131lanmam\u0131\u015f o duvarlarda? Kimleri a\u011f\u0131rlamam\u0131\u015f o g\u00fczel fuaye ?<\/p>\n<h2>Emek Sinemas\u0131 \u0130nci Profiterol de projenin kurbanlar\u0131 aras\u0131nda<\/h2>\n<p>Y\u0131k\u0131lmas\u0131 planlanan tarihi yap\u0131da sadece Emek Sinemas\u0131 yok, Yeni R\u00fcya Sinemas\u0131 ve \u0130stanbul&#8217;un k\u00fclt\u00fcrel simgelerinden biri haline gelmi\u015f \u0130nci Profiterol de projenin kurbanlar\u0131 aras\u0131nda.<\/p>\n<p>Ayn\u0131 \u015fekilde tamamen y\u0131k\u0131larak \u00f6n cephesi asl\u0131na uygun restore edilece\u011fi s\u00f6ylenen Saray Sinemas\u0131&#8217;n\u0131n bulundu\u011fu Sin-Em Han \u00e7oktan y\u0131k\u0131ld\u0131. Demir\u00f6ren Gayr\u0131menkul taraf\u0131ndan 2006 \u00a0y\u0131l\u0131nda ba\u015flanan proje bitmek \u00fczere.<\/p>\n<p>Bu yap\u0131da da Saray ve L\u00fcks sinemalar\u0131yla beraber bir \u00e7ok tarihi mekan yok olup gitti. Saray ger\u00e7ekten de ad\u0131 gibi saray bir sinemayd\u0131.<\/p>\n<p>Yeti\u015fenler bilir,orada film seyretmek bir ayr\u0131cal\u0131kt\u0131. Salonda sadece film g\u00f6sterileri de\u011fil -Louis Armstrong,Dizzy Gillespie,Jean Marais- gibi d\u00fcnyaca me\u015fhur sanat\u00e7\u0131lar\u0131n konserleri de ger\u00e7ekle\u015fmi\u015fti.<\/p>\n<p>\u015eimdi burada Virgin Megastore ad\u0131 alt\u0131nda dev bir bina yer alacak.Son zamanlarda Alkazar,Elhamra,Yeni Melek,Beyo\u011flu ve son olarak da Sinepop sinemalar\u0131 ard\u0131 ard\u0131na perdelerini kapatt\u0131,ya bo\u015falt\u0131ld\u0131 ya d\u00f6n\u00fc\u015ft\u00fcr\u00fcld\u00fc.<\/p>\n<p>Beyo\u011flu\u2019ndaki sinema salonlar\u0131 birbir kapan\u0131rken,al\u0131\u015fveri\u015f merkezlerindeki sinemalar belki de yeni \u00e7a\u011f\u0131n trendlerini,zevklerini ve ya\u015fam anlay\u0131\u015f\u0131 bize g\u00f6steriyor.<\/p>\n<p>Her\u015feye ra\u011fmen ruhu olan salonlar\u0131n,yerini teknoloji harikas\u0131,k\u00fc\u00e7\u00fck,bas\u0131k beton-kuma\u015f kaplama sinemac\u0131klara b\u0131rakmas\u0131 romantik sanatseverler i\u00e7in pek de ho\u015f bir \u015fey olmasa gerek.\u00dcstelik bu sadece \u0130stanbul\u2019un sorunu da de\u011fil.<\/p>\n<p>Anadolu\u2019nun hemen her kentinde bir zamanlar dolup ta\u015fan salonlar\u0131n yerinde art\u0131k \u00e7ok katl\u0131 beton hanlar y\u00fckselmekte.<\/p>\n<p>Asl\u0131nda k\u00fclt\u00fcrel yok etme taaruzuna maruz kalan sanat yap\u0131lar\u0131 sadece sinema salonlar\u0131 de\u011fil. Y\u0131llar i\u00e7erisinde kapanan tiyatro ve konser salonlar\u0131, toplumsal bir d\u00f6n\u00fc\u015f\u00fcm\u00fcn izd\u00fc\u015f\u00fcm\u00fc adeta.<\/p>\n<p>Senelerdir hayalet bir bina g\u00f6r\u00fcnt\u00fcs\u00fc veren Devlet Tiyatrolar\u0131 Taksim Sahnesi gibi mesela.<\/p>\n<p>Gene ayn\u0131 b\u00f6lgede,bir zamanlar\u0131n en g\u00fczel temsillerinin sergilendi\u011fi rahmetli Egemen Bostanc\u0131\u2019n\u0131n \u015ean Tiyatrosu\u2019nun hunharca yak\u0131larak nas\u0131l yok edildi\u011fini anlatmaya gerek yok san\u0131r\u0131m.<\/p>\n<p>Atat\u00fcrk K\u00fclt\u00fcr Merkezi sanata saplanm\u0131\u015f bir han\u00e7er gibi duruyor Taksim\u2019in g\u00f6be\u011finde.<\/p>\n<p>Kap\u0131lar\u0131 kapal\u0131, sahneleri bo\u015f,bir zamanlar\u0131n notalar\u0131n u\u00e7u\u015ftu\u011fu salonlar art\u0131k sessiz, \u00f6ks\u00fcz.<\/p>\n<p>\u0130\u015fin daha ac\u0131 yan\u0131; h\u00e2l\u00e2 ak\u0131betinin belirsizli\u011fi.<\/p>\n<p>Davalar, y\u00fcr\u00fctmeyi durdurma kararlar\u0131, anla\u015fmazl\u0131klar i\u00e7inde,bo\u015f bir ta\u015f y\u0131\u011f\u0131n\u0131na d\u00f6n\u00fc\u015fen sahipsiz kalm\u0131\u015f bir garip binadan ibaret art\u0131k AKM.<\/p>\n<p>Oradan adeta kovalanan Devlet Opera ve Balesi ile Devlet Tiyatrolar\u0131 bug\u00fcn \u00dcsk\u00fcdar\u2019da t\u00fct\u00fcn deposundan bozma ta\u015f binada varl\u0131\u011f\u0131n\u0131 s\u00fcrd\u00fcrmeye \u00e7al\u0131\u015f\u0131yor sessiz sedas\u0131z.<\/p>\n<p>Avrupa Birli\u011fi\u2019ni talep eden,d\u00fcnyaya entegrasyon iddias\u0131nda bulunan b\u00fcy\u00fck bir devlette,sanat\u0131n bu kadar \u00fcvey evlat haline getirilmesi ba\u015fka bir d\u00fc\u015f\u00fcn\u00fclecek konu.<\/p>\n<p>Mustafa Kemal Atat\u00fcrk her f\u0131rsatta sanat\u0131n \u00f6nemini ve gereklili\u011fini dile getirirken,bir tak\u0131m hedefler g\u00f6sterirken san\u0131r\u0131m i\u00e7inde bulundu\u011fumuz durumu kastetmemi\u015fti !<\/p>\n<p>Sadece Cumhuriyet d\u00f6neminde a\u00e7\u0131lan sanatla ilgili kurum ve yap\u0131lar\u0131n \u00fczerine koymak yerine herg\u00fcn bunlar\u0131n kaybedilmesi sadece toplumsal bir de\u011fi\u015fimle de izah edilemez.<\/p>\n<p>Sanat\u0131n yaln\u0131zca bir e\u011flence arac\u0131 ya da bir zaman ge\u00e7irme aktivitesi olarak g\u00f6r\u00fcld\u00fc\u011f\u00fc toplumlarda k\u00fclt\u00fcrel yozla\u015fma ve yabanc\u0131la\u015fman\u0131n da kar\u015f\u0131 konulamaz bir bi\u00e7imde ilerledi\u011fini g\u00f6r\u00fcyoruz.<\/p>\n<p>Bat\u0131 uygarl\u0131\u011f\u0131n\u0131n temellerini olu\u015fturan k\u00fclt\u00fcrel devrimin,hayata bak\u0131\u015f ve ya\u015fam tarz\u0131n\u0131 nas\u0131l etkiledi\u011fini anlamam\u0131z gerekiyor.<\/p>\n<p>T\u00fcrkiye\u2019de sanatla u\u011fra\u015fmak,sanata ula\u015fmak ve onu talep etmek giderek daha zorla\u015f\u0131yor,ac\u0131 ama ger\u00e7ek. \u00a0\u00dclkeyi y\u00f6netenlerin,insanlar\u0131 sadece \u201cvatanda\u015fl\u0131k numaras\u0131\u201d \u00a0olarak g\u00f6rmedi\u011fi ,sanat\u0131n \u00fcvey evlat olarak kabul edilmedi\u011fi bir \u00fclkede ya\u015famak hepimizin hakk\u0131.<br \/>\nPekiyi biz hakk\u0131m\u0131z\u0131 korumak i\u00e7in ne yap\u0131yoruz ?<br \/>\n<strong>M.Y\u0131lmaz K\u00f6ksal<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Son zamanlarda \u0130stikl\u00e2l Caddesi&#8217;nde y\u00fcr\u00fcd\u00fcn\u00fcz m\u00fc? Hi\u00e7 dikkatinizi \u00e7ekti mi kapanan sinemalar\u0131n s\u00f6nen neon lambalar\u0131?<\/p>\n","protected":false},"author":9192210,"featured_media":230776,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6221,6670],"tags":[13998,26874,26876,26871,26872,26873,26870,26869,26875,142861],"class_list":["post-24767","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur","category-sanat","tag-akm","tag-beyoglu-sinemalari","tag-demiroren-gayrimenkul","tag-emek-sinemasi","tag-emek-sinemasi-beyoglu","tag-emek-sinemasi-istiklal-caddesi","tag-istiklal-caddes-sinemalari","tag-istiklal-caddesi","tag-saray-sinemasi","tag-yilmaz-koksal"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/posts\/24767","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/users\/9192210"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/comments?post=24767"}],"version-history":[{"count":0,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/posts\/24767\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/media\/230776"}],"wp:attachment":[{"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/media?parent=24767"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/categories?post=24767"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/tags?post=24767"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}