![\"S\u0131r](\"http:\/\/www.nationalturk.com\/tr\/wp-content\/uploads\/2017\/05\/aydin-ayan-sergisi.jpg\" "\\"\\"")
“S\u0131r ve B\u00fcy\u00fcl\u00fc Ger\u00e7ek” isimli sergiye a\u00e7\u0131ld\u0131\u011f\u0131 g\u00fcnden bu yana sanatseverlerin ilgisi b\u00fcy\u00fck oldu. Yurt i\u00e7i ve yurt d\u0131\u015f\u0131 farkl\u0131 k\u00fclt\u00fcrlerden ve farkl\u0131 insan profillerinden izleyicilerin ziyaret etti\u011fi sergide, sanat\u00e7\u0131\/ Profes\u00f6r Ayd\u0131n Ayan\u2019\u0131n 1972-2017 y\u0131llar\u0131 aras\u0131nda \u00fcretmi\u015f oldu\u011fu yakla\u015f\u0131k 120 \u00e7al\u0131\u015fma sanatseverlerin be\u011fenisine sunuldu.<\/p>\n\n
Akademik \u00e7evrelerle birlikte \u0130stanbul sanat d\u00fcnyas\u0131ndan bir\u00e7ok tan\u0131nm\u0131\u015f ki\u015filerin kat\u0131ld\u0131\u011f\u0131 7 Nisan 2017 tarihli a\u00e7\u0131l\u0131\u015f resepsiyonu, MSGS\u00dc Rekt\u00f6r\u00fc Prof. Yal\u00e7\u0131n Karaya\u011f\u0131z\u2019\u0131n konu\u015fmas\u0131 ile ba\u015flad\u0131. Karaya\u011f\u0131z\u2019\u0131n, Ayd\u0131n Ayan\u2019\u0131n sanat\u00e7\u0131 kimli\u011fi ve sanat \u00e7al\u0131\u015fmalar\u0131 hakk\u0131nda bilgi veren konu\u015fmas\u0131 sonras\u0131nda, Do\u011fan H\u0131zlan ve Prof. Kemal \u0130skender\u2019in yan\u0131 s\u0131ra sanat\u00e7\u0131 Ayd\u0131n Ayan da birer konu\u015fma yapt\u0131lar.<\/p>\n Ayd\u0131n Ayan, 1972 y\u0131l\u0131nda \u0130stanbul Devlet G\u00fczel Sanatlar Akademisi Y\u00fcksek Resim B\u00f6l\u00fcm\u00fc\u2019ne girdi\u011fi ilk y\u0131l Sabri Berkel Desen At\u00f6lyesi\u2019nde e\u011fitim alm\u0131\u015f, 2. ve 3. y\u0131l e\u011fitimine Bedri Rahmi Ey\u00fcbo\u011flu Boyaresim At\u00f6lyesi\u2019nde devam etmi\u015f; Bedri Rahmi Ey\u00fcbo\u011flu\u2019nun 1975 y\u0131l\u0131nda vefat\u0131 sonras\u0131nda, Ne\u015fet G\u00fcnal Boyaresim At\u00f6lyesi\u2019nden mezun olmu\u015ftur. Prof. Ayd\u0131n Ayan, halen ayn\u0131 kurumda; \u015fimdiki ad\u0131 ile Mimar Sinan G\u00fczel Sanatlar \u00dcniversitesi Resim B\u00f6l\u00fcm\u00fc\u2019nde, kendi ad\u0131n\u0131 ta\u015f\u0131yan \u201c Ayd\u0131n Ayan At\u00f6lyesi\u2019nde \u00f6\u011fretim \u00fcyesi olarak g\u00f6rev yapmaktad\u0131r.<\/p>\n Sanat\u00e7\u0131 Ayd\u0131n Ayan, 45 y\u0131ll\u0131k sanat ya\u015fam\u0131 boyunca g\u00fcncel, toplumsal, sosyal ve politik konulara duyarl\u0131 olmu\u015f, sanatsal \u00fcretimlerinde bu olgulara s\u0131kl\u0131kla yer vermi\u015ftir. Konuya bu y\u00f6n\u00fcyle bakt\u0131\u011f\u0131mda, Ayd\u0131n Ayan\u2019\u0131n \u00e7al\u0131\u015fmalar\u0131n\u0131, kronolojik bir yakla\u015f\u0131mla ele al\u0131p incelemek yerine bu \u00e7al\u0131\u015fmalar\u0131 muhtelif bak\u0131mlardan tasnife tabii tutman\u0131n daha do\u011fru bir y\u00f6ntem oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyorum.<\/p>\n Nitekim sanat\u00e7\u0131n\u0131n sergi ile e\u015f zamanl\u0131 olarak yay\u0131mlanan son kitab\u0131 ‘S\u0131r ve B\u00fcy\u00fcl\u00fc Ger\u00e7ek’de de bu \u00f6nermeye ko\u015fut bir de\u011ferlendirme yap\u0131lmaktad\u0131r : \u201cGer\u00e7e\u011fin\/ Ger\u00e7ekli\u011fin \u0130zinde\u201d; \u201cProtest Resimler\/ Homo Politicus\u201d; \u201cSimgeselin \u0130zinde\u201d; \u201cYans\u0131\/t\/ma \u00dczerine D\u00fc\u015f\u00fcnceler\u201d; \u201c\u0130\u015fte \u0130nsan\/ Ecce Homo\u201d; \u201cPortreler ve An\u0131tsal Ba\u015flar\u201d; \u201cDo\u011fa Do\u011fa ve Tarif\/Tarih Resimleri\u201d bu b\u00f6l\u00fcmlerden birka\u00e7\u0131n\u0131 olu\u015fturmaktad\u0131r.<\/p>\n\n \u00d6te yandan, i\u00e7erik veya tema de\u011fi\u015fiyor olsa da Ayd\u0131n Ayan Resmi bazen protest bir bak\u0131\u015fla bazen simgesel bir yakla\u015f\u0131mla bazen de s\u0131rl\u0131 ve b\u00fcy\u00fcl\u00fc bir ele al\u0131\u015fla g\u00fcndelik ya\u015fam\u0131n i\u00e7indeki \u201cinsan\u201da odaklan\u0131r. Genellikle fig\u00fcr a\u011f\u0131rl\u0131kl\u0131 kompozisyon kurgulamalar\u0131nda sanat\u00e7\u0131 \u201cinsan\u201d olgusuna dolayl\u0131 (simgesel\/imgesel) ya da dolays\u0131z yollardan g\u00f6ndermelerde bulunur. Bu ba\u011flamda etkili bir imgesel kurgu ve g\u00fc\u00e7l\u00fc bir d\u00fc\u015f\u00fcnsel yap\u0131lanman\u0131n yan\u0131 s\u0131ra, teknik ve plastik a\u00e7\u0131dan sa\u011flam bir ifade ve d\u0131\u015favurumun varl\u0131\u011f\u0131 kendisini hemen belli eder. Ku\u015fkusuz bunda, Ayan\u2019\u0131n alm\u0131\u015f oldu\u011fu akademik e\u011fitimin ve bu e\u011fitimden sonras\u0131 sanat\u00e7\u0131n\u0131n aral\u0131ks\u0131z bir \u015fekilde s\u00fcrd\u00fcrd\u00fc\u011f\u00fc e\u011fitmenlik hayat\u0131n\u0131n katk\u0131s\u0131 olmu\u015ftur.<\/p>\n Onun resimlerinde, s\u0131radan ve d\u00fcz bir anlat\u0131mdan ziyade, i\u00e7erdi\u011fi simgeler, g\u00f6ndermede bulundu\u011fu kavramlar ve olgular \u00f6n plana \u00e7\u0131kar. Dolay\u0131s\u0131yla, imledi\u011fi olay ya da olgular g\u00f6z \u00f6n\u00fcne al\u0131nd\u0131\u011f\u0131nda, Ayd\u0131n Ayan\u2019\u0131n resimleri, gizemleri ve \u2018s\u0131r\u2019lar\u0131 ile birlikte varolu\u015f\u00e7u fenomenolojiye de yak\u0131nla\u015f\u0131r; Maurice Merleau Ponty\u2019nin (1908-1961) deyimiyle, \u201cg\u00f6r\u00fcnenin ard\u0131ndaki g\u00f6r\u00fcnmeyene\u201d do\u011fru belirgin bir felsefi okumay\u0131 hak eder.<\/p>\n \u00c7al\u0131\u015fmalar\u0131na peinture yetkinli\u011fiyle yans\u0131yan g\u00f6rsel duyum, i\u00e7kin yarat\u0131mlar\u0131n\u0131n \u00f6z\u00fcnde yer alan s\u00f6z konusu giz ve tinsellikle izleyicisini, \u201cS\u0131r ve B\u00fcy\u00fcl\u00fc Ger\u00e7eklik\u201d d\u00fcnyas\u0131nda yeni bir g\u00f6r\u00fcnmezlik, yeni bir ba\u015flang\u0131\u00e7 ya da sonluluk ufkunda kendi haline terk eder.<\/p>\n Meral BOSTANCI \/ Sanat Yazar\u0131 ve Ele\u015ftirmeni<\/strong><\/p>\n\n","protected":false},"excerpt":{"rendered":" Mimar Sinan G\u00fczel Sanatlar \u00dcniversitesi-Tophane-i Amire K\u00fclt\u00fcr ve Sanat Merkezi, Ayd\u0131n Ayan\u2019\u0131n ‘S\u0131r ve B\u00fcy\u00fcl\u00fc Ger\u00e7ek Sergisi’ne ev sahipli\u011fi yapt\u0131.<\/p>\n","protected":false},"author":3,"featured_media":250706,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6221,6670,6662],"tags":[474,82968],"class_list":["post-250682","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur","category-sanat","category-yasam","tag-mimar-sinan","tag-sergi"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/posts\/250682","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/comments?post=250682"}],"version-history":[{"count":0,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/posts\/250682\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/media\/250706"}],"wp:attachment":[{"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/media?parent=250682"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/categories?post=250682"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/tags?post=250682"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"S\u0131r](\"http:\/\/www.nationalturk.com\/tr\/wp-content\/uploads\/2017\/05\/ayd\u0131n-ayan-sergisi-01.jpg\" "\\"\\"")
![\"S\u0131r](\"http:\/\/www.nationalturk.com\/tr\/wp-content\/uploads\/2017\/05\/aydin-ayan-sergi-02.jpg\" "\\"\\"")
![\"S\u0131r](\"http:\/\/www.nationalturk.com\/tr\/wp-content\/uploads\/2017\/05\/aydin-ayan-sergisi-03-835x768.jpg\" "\\"\\"")
Ayd\u0131n Ayan’\u0131n S\u0131r ve B\u00fcy\u00fcl\u00fc Ger\u00e7ek Sergisi’nden Eserler<\/h3>\n
![\"S\u0131r](\"https:\/\/www.nationalturk.com\/tr\/wp-content\/uploads\/2017\/05\/Baba-O\u011ful-Bal\u0131k\u00e7\u0131lar-2016-T.\u00dc.Y.B.-160x200-cm.-200x150.jpg\" "\\"\\"")
\n\t\t\t<\/div>\n\t\t\t\t![\"S\u0131r](\"https:\/\/www.nationalturk.com\/tr\/wp-content\/uploads\/2017\/05\/\u00c7ocukluk-Unutulmaz-Bir-D\u00fc\u015ft\u00fcr-200x150.jpg\" "\\"\\"")
\n\t\t\t<\/div>\n\t\t\t\t![\"S\u0131r](\"https:\/\/www.nationalturk.com\/tr\/wp-content\/uploads\/2017\/05\/Gidenler-D\u00f6nemeyenler-2-2012-T\u00dcYB-100x160-cm.-min-200x150.jpg\" "\\"\\"")
\n\t\t\t<\/div>\n\t\t\t\t![\"S\u0131r](\"https:\/\/www.nationalturk.com\/tr\/wp-content\/uploads\/2017\/05\/Kalkan-Bal\u0131\u011f\u0131n\u0131n-\u00d6yk\u00fcs\u00fc-2017-T.\u00dc.Y.B.-160x200-cm.-200x150.jpg\" "\\"\\"")
\n\t\t\t<\/div>\n\t\t\t\t