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<\/p>\nSanat hayat\u0131na odakl\u0131 geni\u015f kapsaml\u0131 bir \u00e7al\u0131\u015fma sonucu Mimar Sinan \u00dcniversitesi Yay\u0131nlar\u0131\u2019ndan \u00e7\u0131km\u0131\u015f olan kitab\u0131 ve sanat\u00e7\u0131 hakk\u0131nda izleyicilerin merak etti\u011fi\/edebilecekleri konulara dair sorular\u0131ma i\u00e7tenlikle yan\u0131t veren de\u011ferli sanat\u00e7\u0131ya bir kez daha te\u015fekk\u00fcrlerimi ve minnet duygular\u0131m\u0131 ifade etmek istiyorum.<\/p>\n
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Meral Bostanc\u0131:<\/strong> D\u00fcnden bug\u00fcne yakla\u015f\u0131k 40 y\u0131ll\u0131k sanat birikiminize odaklanm\u0131\u015f sergi ve sergiyle e\u015fzamanl\u0131 \u00e7\u0131kan kitab\u0131n\u0131z\u0131n ad\u0131 \u201c\u00d6l\u00fcm\/Kal\u0131m Aras\u0131nda\u201d. \u201c\u00d6l\u00fcm\/Kal\u0131m Aras\u0131nda\u201d ne anlat\u0131yor?<\/p>\n Nedret Sekban:<\/strong> \u00d6l\u00fcm \/ Kal\u0131m Aras\u0131nda deyiminin T\u00fcrk\u00e7edeki kar\u015f\u0131l\u0131\u011f\u0131 genellikle en s\u0131k\u0131\u015f\u0131k anlarda bile m\u00fccadeleye vurgu yapar. Bu genel kan\u0131yla birlikte benim \u00f6zne olarak bu arada yap\u0131p eylediklerimi g\u00f6steren bir ba\u015fl\u0131k oldu\u011funu d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm i\u00e7in bu ismi koydum.<\/p>\n M.B.:<\/strong> Fig\u00fcr a\u011f\u0131rl\u0131kl\u0131 anlat\u0131mlar\u0131n\u0131z \u00f6ncelikle \u201cinsan\u201da odakl\u0131. \u00d6te yandan sosyal ve toplumsal konulara duyarl\u0131 bir ifade tarz\u0131 g\u00f6zlemliyoruz. Bu duyarl\u0131l\u0131\u011f\u0131n\u0131z g\u00f6z \u00f6n\u00fcne al\u0131nd\u0131\u011f\u0131nda toplumcu ger\u00e7ek\u00e7i bir anlat\u0131mdan s\u00f6z edebilir miyiz?<\/p>\n N.S.:<\/strong> Evet, edebiliriz. Ama \u015funu da eklemeliyim ki, bug\u00fcne kadar toplumcu ger\u00e7ek\u00e7ilik belli bir ideolojik yaftalamayla naif bir ger\u00e7ek\u00e7ilik olarak kabul edildi. Bunu toplumcu ger\u00e7ek\u00e7ili\u011fin t\u00fcm\u00fcne mal etmek hem do\u011fru bir yakla\u015f\u0131m olmaz, hem de amac\u0131ndan sapt\u0131rmak i\u00e7in bilin\u00e7li bir yakla\u015f\u0131md\u0131r diye d\u00fc\u015f\u00fcn\u00fcr\u00fcm. Di\u011fer taraftan benim yapt\u0131\u011f\u0131m\u0131n en geni\u015f anlam\u0131yla toplumcu yan\u0131n\u0131n a\u011f\u0131r basmas\u0131na ra\u011fmen ger\u00e7ek\u00e7i bir \u00fcslup oldu\u011funu s\u00f6yleyebilirim.<\/p>\n M.B.:<\/strong> Sanat\u00e7\u0131n\u0131n i\u00e7inde ya\u015fad\u0131\u011f\u0131 g\u00fcncel olaylardan etkilenmesinin son derece do\u011fal oldu\u011funu kabul etmekle birlikte, \u00e7al\u0131\u015fmalar\u0131n\u0131zla izleyiciye e\u011fitici-\u00f6\u011fretici, i\u015f\u00e7iye, emek\u00e7iye g\u00f6ndermelerde bulunan, hatta yerinden edilmi\u015f m\u00fclteci kimliklere dair toplumsal bir mesaj bulunuyor olabilir mi?<\/p>\n N.S.: <\/strong>Siz i\u00e7inden \u00f6yle bir mesaj \u00e7\u0131kar\u0131yorsan\u0131z bundan s\u00f6z edilebilir. Ama benim bilin\u00e7li olarak b\u00f6yle bir e\u011fitme ve \u00f6\u011fretme derdimin olmad\u0131\u011f\u0131n\u0131 s\u00f6yleyebilirim. \u00c7\u00fcnk\u00fc ben kendi duyarl\u0131k alan\u0131mda g\u00f6rd\u00fc\u011f\u00fcm ve bakt\u0131\u011f\u0131m nesnel ve toplumsal olaylar\u0131 anlamak ve anlamland\u0131rmak \u00e7abas\u0131nday\u0131m.<\/p>\n M.B.:<\/strong> Sanat \u00fcretimlerinize bak\u0131ld\u0131\u011f\u0131nda irdeledi\u011finiz konular\u0131n ya\u015fam \u00f6yk\u00fcn\u00fcz ya da hayata bak\u0131\u015f a\u00e7\u0131n\u0131zla do\u011fru orant\u0131l\u0131 oldu\u011funu d\u00fc\u015f\u00fcn\u00fcr m\u00fcs\u00fcn\u00fcz? Kompozisyonlar\u0131n\u0131zda de\u011findi\u011finiz konular\u0131n olu\u015fum s\u00fcrecini siz nas\u0131l a\u00e7\u0131mlars\u0131n\u0131z?<\/p>\n N.S.:<\/strong> Evet, d\u00fc\u015f\u00fcn\u00fcr\u00fcm. Kompozisyonlar\u0131m\u0131n olu\u015fum s\u00fcrecine gelince bu bir s\u00fcreklilik i\u00e7inde oldu\u011fu i\u00e7in bazen fikirden bazen de pratik g\u00f6zlemlerimden ve etkilendi\u011fim toplumsal olaylardan ya da insanlardan, ya\u015fant\u0131 i\u00e7eriklerinden yola \u00e7\u0131kar\u0131m. Kompozisyon haline getirmek i\u00e7in bu konular\u0131, \u00f6nceden eskizler, desenler ve et\u00fcdler yapar\u0131m. Sonunda da t\u00fcm\u00fcnden bir kurguyla kompozisyonumu olu\u015ftururum.<\/p>\n M.B.:<\/strong> \u00d6nemli olan form mu fikir mi? Resmin kendisi mi yoksa kavramsal ya da ideolojik teori\u011fi mi?<\/p>\n N.S.:<\/strong> \u00d6nemli olan resmin kendisidir. \u00c7\u00fcnk\u00fc s\u00f6z\u00fcn\u00fc etti\u011finiz her \u015fey o resmin i\u00e7inde vard\u0131r.<\/p>\n M.B.:<\/strong> Kimi \u00e7al\u0131\u015fmalar\u0131n\u0131zda hayali bir kurguya, kiminde ise olabildi\u011fince realist bir sahneye tan\u0131k oluyoruz. Bu sanatsal \u00e7\u00f6z\u00fcm zenginli\u011fini nas\u0131l ifade edersiniz?<\/p>\n N.S.:<\/strong> Bu birbirinden \u00e7ok ayr\u0131 bir \u015fey de\u011fil asl\u0131nda. \u00c7\u00fcnk\u00fc realist olarak kurdu\u011fum sahneyi, g\u00f6zlemleyerek, desen \u00e7izerek et\u00fctler yaparak kayda al\u0131yorum. Sonra da tuvalin kar\u015f\u0131s\u0131nda bunlar kurgulan\u0131yor. Di\u011ferinde ise hayal etti\u011fim \u015fey asl\u0131nda fikirle ba\u015flayan \u015fey. Onu da imgelerle hayal ediyorum. Asl\u0131nda daha \u00f6nce g\u00f6rd\u00fc\u011f\u00fcm \u015feylerin imgeleri bunlar. Kayda al\u0131nm\u0131\u015f \u015feyler bunlar. Bu sefer de onlar\u0131 \u00e7izmeye \u00e7al\u0131\u015f\u0131yorum. Yine sonu\u00e7ta bunlardan kompozisyonlar\u0131m\u0131 olu\u015fturuyorum.<\/p>\n M.B.:<\/strong> \u00d6\u011frencilik y\u0131llar\u0131n\u0131zda e\u011fitim ald\u0131\u011f\u0131n\u0131z Ne\u015fet G\u00fcnal At\u00f6lyesi\u2019nin sizin sanat\u0131n\u0131za olan etkisinden (olumlu\/olumsuz) bahsedelim istiyorum. Sanat\u00e7\u0131 kimli\u011finize Ne\u015fet G\u00fcnal\u2019\u0131n etkisi ne oldu? Sanat\u0131n\u0131z\u0131n \u015fekillenmesinde nas\u0131l bir rol oynad\u0131? Sanat g\u00f6r\u00fc\u015f\u00fcn\u00fcz\u00fc ve sanatsal \u00e7al\u0131\u015fmalar\u0131n\u0131z\u0131 olu\u015ftururken alm\u0131\u015f oldu\u011funuz at\u00f6lye disiplinden beslendi\u011finizi s\u00f6yleyebilir misiniz?<\/p>\n N.S.:<\/strong> Bir olumsuz etkisini g\u00f6rmedim bug\u00fcne kadar\u2026 Sanat e\u011fitiminin olumsuz etkisi oldu\u011funa inanmam ben. E\u011fer bug\u00fcn bir sanat\u00e7\u0131n\u0131n ressaml\u0131\u011f\u0131ndan s\u00f6z edebiliyorsa insanlar, zaten e\u011fitim ba\u015far\u0131l\u0131 olmu\u015ftur. Ressam olarak ortaya \u00e7\u0131kamam\u0131\u015fsa bir sanat\u00e7\u0131, o zaman bundan s\u00f6z edilebilir. Ama \u015funu da belirtmek gerekir ki baz\u0131 ressamlar otodidakt \u2019t\u0131r; kendi kendilerini yeti\u015ftirmi\u015flerdir.<\/p>\n M.B.:<\/strong> Sanatsal \u00e7al\u0131\u015fmalar\u0131n\u0131za kronolojik ya da d\u00f6nemsel bir ay\u0131r\u0131mdan ziyade i\u00e7erik ya da konu ba\u011flam\u0131nda bir ayr\u0131m yapabiliyoruz. Benzer anlat\u0131mlar\u0131n farkl\u0131 zamanlarda tekrar etti\u011fini g\u00f6r\u00fcyoruz. Bu \u015fekilde bir resimsel anlat\u0131m\u0131 tercih etmenizin nedenlerini neye ba\u011flars\u0131n\u0131z?<\/p>\n N.S.:<\/strong> Ben bunu kendi hayat \u00e7izgimi s\u00fcrd\u00fcrmeye \u00e7al\u0131\u015farak ele ald\u0131\u011f\u0131m konular\u0131 da bu \u00e7izginin s\u0131n\u0131rlar\u0131 i\u00e7inde tutarak anlatmaya \u00e7al\u0131\u015f\u0131yorum. Onun i\u00e7in konular farkl\u0131 olsa da i\u00e7eri\u011fin de\u011fi\u015fmedi\u011fini kabul edebiliriz.<\/p>\n M.B.:<\/strong> Neo-Ekspresyonist Mimmo Paladino (1948) \u015f\u00f6yle s\u00f6yl\u00fcyor: \u201c\u2026sanat\u00e7\u0131, ipte dans eden cambaz gibi \u00e7e\u015fitli y\u00f6nlere gider, \u00e7ok maharetli oldu\u011fu i\u00e7in de\u011fil ama sadece tek y\u00f6nde gidemedi\u011fi i\u00e7in. \u00c7ok y\u00f6nl\u00fc bir sanat\u00e7\u0131 oldu\u011funuzu d\u00fc\u015f\u00fcn\u00fcr m\u00fcs\u00fcn\u00fcz? Yoksa ben ressam\u0131m, benim derdim sadece desenle ve resimsel problematiklerle mi dersiniz?<\/p>\n N.S.:<\/strong> Evet, tam da ifade etti\u011finiz gibi. Ben \u00e7ok y\u00f6nl\u00fc oldu\u011fumu d\u00fc\u015f\u00fcnmedim. Kendi duyarl\u0131l\u0131\u011f\u0131m\u0131 (bu zaman zaman de\u011fi\u015febilir de) farkl\u0131 konularda s\u00fcrd\u00fcrmeye \u00e7al\u0131\u015ft\u0131m. Dolay\u0131s\u0131yla bunu da resmin plastik elemanlar\u0131yla de\u011ferlendirmeye \u00e7al\u0131\u015ft\u0131m.<\/p>\n M.B.:<\/strong> T\u00fcrkiye\u2019nin en nadide g\u00fczel sanatlar \u00fcniversitesi olan Mimar Sinan G\u00fczel Sanatlar \u00dcniversite\u2019sine uzun y\u0131llar emek vermi\u015f biri olarak ve kendi ad\u0131n\u0131z\u0131n verildi\u011fi \u201cNedret Sekban At\u00f6lyesi\u2019nde yakla\u015f\u0131k 40 y\u0131l \u00f6\u011fretim \u00fcyesi olarak son derece sayg\u0131n ve erdemli bir g\u00f6revin ard\u0131ndan kendi iste\u011finiz ile bu y\u0131l\u0131n ba\u015f\u0131nda (\u015eubat, 2017) g\u00f6revinizden ayr\u0131larak emekli oldunuz. Baz\u0131 ele\u015ftirmenler, e\u011fitimci\/akademisyen kimli\u011finin de yarat\u0131c\u0131 sanat\u00e7\u0131 olmaya engel oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyorlar. Onlara g\u00f6re kurum \u00e7at\u0131s\u0131 ve disiplini alt\u0131nda k\u0131s\u0131tlanan bir ki\u015finin \u00f6zg\u00fcrce \u00fcretmesine olas\u0131l\u0131k bulunmuyor. Kat\u0131l\u0131r m\u0131s\u0131n\u0131z? Akademide \u00f6\u011frencilerinize vermi\u015f oldu\u011funuz 38 y\u0131ll\u0131k e\u011fitim s\u00fcrecinin sanat\u0131n\u0131za ne gibi etkileri oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyorsunuz?<\/p>\n N.S.:<\/strong> Kat\u0131lm\u0131yorum. E\u011fer kurumlar\u0131n d\u0131\u015f\u0131ndaysa bir sanat\u00e7\u0131, ac\u0131mas\u0131z piyasa yasalar\u0131n\u0131n ki buna ticari yasalar diyelim, ko\u015fullar\u0131 alt\u0131nda \u00e7al\u0131\u015fmaya ve \u00fcretmeye \u00e7abalar. Dolay\u0131s\u0131yla iki tarafta da d\u0131\u015far\u0131dan bir yasa bask\u0131s\u0131 vard\u0131r. Bu yasalardan m\u00fcmk\u00fcn oldu\u011funca korunmak i\u00e7eride de d\u0131\u015far\u0131da da sanat\u00e7\u0131n\u0131n direncine ba\u011fl\u0131d\u0131r. Dolay\u0131s\u0131yla bence her iki tarafta da sanat\u00e7\u0131 insan kendi direni\u015f g\u00fcc\u00fcne g\u00fcvenerek hayatta kalabilir. Ba\u015fka t\u00fcrl\u00fcs\u00fcne hi\u00e7bir zaman inanmad\u0131m ben. \u00d6\u011frenciyle u\u011fra\u015f\u0131rken kendi deneyimlerinizden onlara aktarabilecekleriniz vard\u0131r kald\u0131 ki onlardan \u00f6\u011frenecekleriniz vard\u0131r. Onun i\u00e7in e\u011fitim kurumlar\u0131nda olmak bana g\u00f6re daha besleyicidir.<\/p>\n M.B: <\/strong>Sanat e\u011fitimcisi olmasayd\u0131m ve resimle ilgili olmayan \u00e7ok farkl\u0131 bir mesle\u011fim olsa idi yine de bir yandan mutlaka resim yap\u0131yor olurdum, diyebilir misiniz?<\/p>\n N.S.:<\/strong> Evet, derdim. Mutlaka resim yap\u0131yor olurdum. \u00c7ocukluktan beri yapt\u0131\u011f\u0131m i\u00e7in bende bir al\u0131\u015fkanl\u0131k olu\u015fturmu\u015ftu resim yapmak.<\/p>\n M.B.: <\/strong>Son olarak Esenler-Tekstilkent\u2019te yer alan at\u00f6lyenizden s\u00f6z edelim. Hemen yan\u0131n\u0131zda 6 \u00f6\u011frencinin e\u011fitim ald\u0131\u011f\u0131 bir resim at\u00f6lyesi daha var. Anla\u015f\u0131lan o ki, okuldan ayr\u0131lm\u0131\u015f olsan\u0131z da, e\u011fitimcilikten ayr\u0131lam\u0131yorsunuz \uf04a Bildi\u011fim kadar\u0131yla, bir dernek deste\u011fiyle i\u015fleyen ve y\u00fcr\u00fcyen bir s\u00fcre\u00e7 var orada. Ve Mimar Sinan \u00dcniversitesi\u2019nde yer alan \u201cNedret Sekban At\u00f6lyesi, orada devam ediyor g\u00f6r\u00fcn\u00fcyor. Bu at\u00f6lyede yap\u0131lan \u00e7al\u0131\u015fmalara dair neler s\u00f6ylemek istersiniz?<\/p>\n N.S.:<\/strong> Oras\u0131 bir Nedret Sekban At\u00f6lyesi olmaktan \u00e7ok, resim b\u00f6l\u00fcm\u00fcnden mezun olmu\u015f ama ba\u015far\u0131l\u0131 hatta aralar\u0131nda sergi a\u00e7m\u0131\u015f olanlar\u0131n kat\u0131ld\u0131\u011f\u0131 bir at\u00f6lye. Dolay\u0131s\u0131yla ben onlara o at\u00f6lyede hocal\u0131ktan \u00e7ok deneyimli ve sanat ortam\u0131nda daha fazla bulunmu\u015f bilgi sahibi bir arkada\u015f ve yolda\u015f olarak bulunuyorum. Ancak \u015funu da ifade etmeden ge\u00e7meyelim, bu at\u00f6lyenin as\u0131l k\u00fclfetini \u201c\u0130yilik \u0130\u00e7in Sanat\u201d Derne\u011fi \u00e7ekiyor\u2026<\/p>\n Nedret SEKBAN (1953, Trabzon)<\/p>\n 1970 y\u0131l\u0131nda Trabzon Lisesi\u2019nden mezun oldu. 1977 y\u0131l\u0131nda \u0130stanbul Devlet G\u00fczel Sanatlar Akademisi Y\u00fcksek Resim B\u00f6l\u00fcm\u00fc, Ne\u015fet G\u00fcnal At\u00f6lyesi\u2019nden mezun oldu. 1979 y\u0131l\u0131nda \u0130stanbul Devlet G\u00fczel Sanatlar Akademisi Y\u00fcksek Resim B\u00f6l\u00fcm\u00fc\u2019ne asistan olarak girdi. 1983 y\u0131l\u0131nda ayn\u0131 kurumda sanatta yeterlik diplomas\u0131 ald\u0131. 1992 y\u0131l\u0131nda Mimar Sinan \u00dcniversitesi G\u00fczel Sanatlar Fak\u00fcltesi Resim B\u00f6l\u00fcm\u00fc\u2019nde yard\u0131mc\u0131 do\u00e7ent; 1995 y\u0131l\u0131nda do\u00e7ent oldu. 2001 y\u0131l\u0131nda profes\u00f6rl\u00fc\u011fe y\u00fckseldi. 2017 y\u0131l\u0131nda kendi iste\u011fi ile emekli oldu.<\/p>\n \u00d6d\u00fclleri: Ahmet Andi\u00e7en Sanat \u00d6d\u00fclleri Resim Yar\u0131\u015fmas\u0131, Birincilik \u00d6d\u00fcl\u00fc, \u0130stanbul (1974); Ahmet Andi\u00e7en Sanat \u00d6d\u00fclleri Resim Yar\u0131\u015fmas\u0131, Birincilik \u00d6d\u00fcl\u00fc, \u0130stanbul (1975); 10. DYO Resim Yar\u0131\u015fmas\u0131 \u00d6d\u00fcl\u00fc, Ankara, \u0130stanbul, \u0130zmir (1976); Kartal K\u00fclt\u00fcr \u015eenlikleri Resim Yar\u0131\u015fmas\u0131 Sergisi Birincilik \u00d6d\u00fcl\u00fc, \u0130stanbul (1978); Cumhuriyet Senatosu Vakf\u0131 Atat\u00fcrk Resim Yar\u0131\u015fmas\u0131, Mansiyon, TBMM, Ankara (1981); Vakko Resim Yar\u0131\u015fmas\u0131, Manisyon, \u0130stanbul (1982).<\/p>\n Ki\u015fisel Sergiler<\/strong><\/p>\n 1987 \u2018Kurtulu\u015f Sava\u015f\u0131 Destan\u0131\u2019ndan Resimler\u2019, Sanfa Sanat Galerisi, \u0130stanbul Toplu Sergiler<\/strong><\/p>\n 1976 Yar\u0131mca Sanat Festivali Sergisi, Yar\u0131mca, \u0130stanbul Prof. Nedret Sekban ile 7 Aral\u0131k 2017 – 7 Ocak 2018 tarihleri aras\u0131nda MSGS\u00dc Tophane-i Amire K\u00fclt\u00fcr ve Sanat Merkezi\u2019nde bulunan Be\u015f Kubbe Salonu\u2019nda d\u00fczenlenen \u201c\u00d6l\u00fcm\/Kal\u0131m Aras\u0131nda\u201d adl\u0131 toplu sergisi \u00fczerine konu\u015ftuk. Sanat hayat\u0131na odakl\u0131 geni\u015f kapsaml\u0131 bir \u00e7al\u0131\u015fma sonucu Mimar Sinan \u00dcniversitesi Yay\u0131nlar\u0131\u2019ndan \u00e7\u0131km\u0131\u015f olan kitab\u0131 ve sanat\u00e7\u0131 hakk\u0131nda izleyicilerin merak etti\u011fi\/edebilecekleri konulara dair …<\/p>\n","protected":false},"author":3,"featured_media":259823,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4265],"tags":[120863,221639,195956,77617],"class_list":["post-259816","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-roportajlar","tag-meral-bostanci","tag-roportaj","tag-sanat","tag-sanatci"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/posts\/259816","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/comments?post=259816"}],"version-history":[{"count":0,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/posts\/259816\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/media\/259823"}],"wp:attachment":[{"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/media?parent=259816"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/categories?post=259816"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nationalturk.com\/tr\/wp-json\/wp\/v2\/tags?post=259816"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"http:\/\/www.nationalturk.com\/tr\/wp-content\/uploads\/2018\/01\/6-Estirdi-Aiolos_TUYB_23x33-cm_2004-1024x689.jpg\" "\\"\\"")
<\/p>\n![\"\"](\"http:\/\/www.nationalturk.com\/tr\/wp-content\/uploads\/2018\/01\/9-Baslar-Gece-Vardiyasi_TUYB_184x146-cm_1990-609x768.jpg\" "\\"\\"")
<\/p>\n![\"\"](\"http:\/\/www.nationalturk.com\/tr\/wp-content\/uploads\/2018\/01\/10-Ates-Basinda-Copculer_TUYB_200x150-cm_1989-576x768.jpg\" "\\"\\"")
<\/p>\n![\"\"](\"http:\/\/www.nationalturk.com\/tr\/wp-content\/uploads\/2018\/01\/denizden-umut-yolu.jpg\" "\\"\\"")
<\/p>\n![\"\"](\"http:\/\/www.nationalturk.com\/tr\/wp-content\/uploads\/2018\/01\/meral-bostanci-sergi-1024x720.jpg\" "\\"\\"")
<\/p>\n![\"\"](\"http:\/\/www.nationalturk.com\/tr\/wp-content\/uploads\/2018\/01\/Nedret-Sekban-1024x768.jpg\" "\\"\\"")
<\/p>\n![\"\"](\"http:\/\/www.nationalturk.com\/tr\/wp-content\/uploads\/2018\/01\/nedret-sekban-602x768.jpg\" "\\"\\"")
<\/p>\n
\n1995 Desen-Resim Sergisi, Galeri Lebriz, \u0130stanbul
\n1995 Passion Sanat Merkezi, \u0130stanbul
\n1996 The Marmara, \u0130stanbul
\n1996 Aphrodie Sanat Merkezi, \u0130zmir
\n1996 K\u0131z\u0131ltoprak Sanat Galerisi, \u0130stanbul
\n1998 Evin Sanat Galerisi, \u0130stanbul
\n2000 Alaca \u0130maret, Selanik, Yunanistan
\n2000 Evin Sanat Galerisi, \u0130stanbul
\n2001 \u2018Denize \u00d6vg\u00fc\u2019, Evin Sanat Galerisi, \u0130stanbul
\n2002 \u2019Yer \u2013 Sahne F\u0131nd\u0131kl\u0131 Park\u0131\u2019, Evin Sanat Galerisi, \u0130stanbul
\n2003 \u2018\u015eark\u0131lar\u0131m Denizdendir, G\u00fcldendir\u2019, Evin Sanat Galerisi, \u0130stanbul
\n2005 \u2018Haz Muhabbetleri\u2019, Evin Sanat Galerisi, \u0130stanbul
\n2007 \u2018G\u00f6lgede Herkesin Kendi Yeri Vard\u0131r\u2019, Evin Sanat Galerisi, \u0130stanbul
\n2008 \u2018Desen Olsam \u00d6l\u00fc Diri\u2019, Evin Sanat Galerisi, \u0130stanbul
\n2012 \u2018La Lotta Continua\u2019- \u2018M\u00fccadele S\u00fcr\u00fcyor\u2019, Kedi K\u00fclt\u00fcr Sanat Merkezi, \u0130zmir<\/p>\n
\n1977 \u2018Yeni E\u011filimler\u2019 Sergisi, \u0130stanbul
\n1978 \u2018\u00c7a\u011fda\u015f T\u00fcrk Resmi\u2019 Sergisi, Moskova-Bak\u00fc-SSCB
\n1979 \u2018Yeni E\u011filimler\u2019 Sergisi, \u0130stanbul
\n1979 Karma Resim Sergisi, Galata Sanat Merkezi, \u0130stanbul
\n1979 Karma Resim Sergisi, G\u00fczel Sanatlar Galerisi, Eski\u015fehir
\n1979 \u2018Ba\u015flang\u0131c\u0131ndan bu yana T\u00fcrk Ressamlar\u0131\u2019 Sergisi, Galeri Baraz, \u0130stanbul
\n1980 Karma Resim Sergisi, G\u00fczel Sanatlar Galerisi, \u0130stanbul
\n1981 15. DYO Resim Yar\u0131\u015fmas\u0131 Sergisi, Ankara-\u0130zmir-\u0130stanbul
\n1982 \u2018T\u00fcrk Resminde Fig\u00fcr ve Portre\u2019, Galeri Baraz, \u0130stanbul
\n1982 T.P.A.O. 2. Atat\u00fcrk Resim Yar\u0131\u015fmas\u0131 Sergisi, Ankara
\n1982 45. Devlet Resim ve Heykel Sergisi, Ankara
\n1983 Akademinin 100. Kurulu\u015f Y\u0131ld\u00f6n\u00fcm\u00fcnde Akademililer Sergisi, Ege Sanat Galerisi, \u0130zmir
\n1985 \u201885\u2019ten 86\u2019ya\u2019 Resim ve Heykel Sergisi, Berk Sanat Galerisi, \u0130stanbul
\n1986 \u2018Afrika\u2019ya Yard\u0131m\u2019 Sergisi, Te\u015fvikiye Sanat Galerisi, \u0130stanbul
\n1987 Grup Sergisi, Tanbay Sanat Galerisi, Ankara
\n1987 \u2018Trabzonlu Sanat\u00e7\u0131lar\u2019 Sergisi, Taksim Sanat Galerisi, \u0130stanbul
\n1988 Karma Resim Sergisi, Kayaalp Sanat Galerisi, \u0130stanbul
\n1988 \u2018Bizden ve Onlardan 3\u2019 Sergisi, Tem Sanat Galerisi, \u0130stanbul
\n1988 M.S.\u00dc. G\u00fczel Sanatlar Fak\u00fcltesi \u00d6\u011fretim \u00dcyeleri Sergisi, Destek Reas\u00fcrans Sanat Galerisi, \u0130stanbul
\n1989 \u2018T\u00fcrk Resminde Ortak Bilin\u00e7\u2019 Sergisi, Kaz\u0131m Ta\u015fkent Sanat Galerisi, \u0130stanbul
\n1989 \u2018Desen, Grav\u00fcr, Litografi, Suluboya\u2019 Sergisi, Urart Sanat Galerisi, \u0130stanbul
\n1989 Karma Resim Sergisi, Sanfa Sanat Galerisi, \u0130stanbul
\n1989 Uluslararas\u0131 2. \u0130stanbul Bienali, \u2018Seksenli Y\u0131llarda T\u00fcrk Resmi\u2019, Askeri M\u00fcze, \u0130stanbul
\n1990 Karma Resim Sergisi, Galeri Medusa, \u0130stanbul
\n1990 \u2018Fig\u00fcr 5\u2019 Resim Sergisi, Kaz\u0131m Ta\u015fkent Sanat Galerisi, \u0130stanbul
\n1991 \u2018\u00c7a\u011fda\u015f T\u00fcrk Ressamlar\u0131\u2019 Karma Sergisi, Halkbank Sanat Galerisi, \u0130stanbul
\n1991 \u2018Portre\u2019 Sergisi, Urart Sanat Galerisi, \u0130stanbul
\n1991 Karma Resim Sergisi, \u0130.T.\u00dc. Ta\u015fk\u0131\u015fla, \u0130stanbul
\n1991 \u2018Fig\u00fcr 5\u2019 Resim Sergisi, Levent Sanat Galerisi, \u0130stanbul
\n1991 \u2018Portre\u2019 Sergisi, Urart Sanat Galerisi, \u0130stanbul
\n1992 \u2018N\u00fc\u2019 Sergisi, Urart Sanat Galerisi, \u0130stanbul
\n1993 Karma Resim Sergisi, Galeri Lebriz, \u0130stanbul
\n1994 Naz\u0131m Hikmet K\u00fclt\u00fcr ve Sanat Vakf\u0131 Karma Resim Sergisi, Ankara-CRR, \u0130stanbul
\n1994 M.S.\u00dc. G\u00fczel Sanatlar Fak\u00fcltesi Resim B\u00f6l\u00fcm\u00fc \u00d6\u011fretim \u00dcyeleri Sergisi, Kocaeli \u00dcniversitesi, \u0130zmit
\n1994 Karma Resim Sergisi, Dar\u0131ca Ku\u015f Cenneti, \u0130stanbul
\n1995 \u2018\u00c7a\u011fda\u015f T\u00fcrk Resminde Fig\u00fcratif \u0130lgi\u2019, Galeri Artium, \u0130stanbul
\n1995 M.S.\u00dc. G\u00fczel Sanatlar Fak\u00fcltesi \u00d6\u011fretim \u00dcyeleri Sergisi, \u0130stanbul
\n1995 \u2018T\u00fcrk Sanat\u00e7\u0131lar\u0131ndan Bosna-Hersekli Sanat\u00e7\u0131lara\u2019, Devlet Resim Heykel M\u00fczesi, Ankara
\n1995 \u2018Modern T\u00fcrk Sanat\u0131ndan Bir Kesit\u2019, Passion Art Center, \u0130stanbul
\n1995 \u2018Sanat\u00e7\u0131 \u00d6\u011fretim \u00dcyeleri\u2019 Sergisi, TBMM Mimarlar Odas\u0131, Y\u0131ld\u0131z Saray\u0131, \u0130stanbul
\n1995 Karma Resim Sergisi, Nadya Sanat Galerisi, \u0130stanbul
\n1996 \u2018T\u00fcrk Resminde \u0130nsana Bak\u0131\u015f\u2019, M.S.\u00dc. Resim Heykel M\u00fczesi, \u0130stanbul
\n1996 Karma Resim Sergisi, Evin Sanat Galerisi, \u0130stanbul
\n1997 7. \u0130stanbul Sanat Fuar\u0131, Evin Sanat Galerisi, T\u00dcYAP, \u0130stanbul
\n1998 \u2018185 Desen\u2019, Elhamra Sanat Galerisi, \u0130stanbul
\n1998 8. \u0130stanbul Sanat Fuar\u0131, Evin Sanat Galerisi, T\u00dcYAP, \u0130stanbul
\n1999 9. \u0130stanbul Sanat Fuar\u0131, Evin Sanat Galerisi, T\u00dcYAP, \u0130stanbul
\n2000 \u2018\u00c7a\u011fda\u015f T\u00fcrk Sanat\u0131nda Fig\u00fcratif E\u011filimler\u2019 Sergisi, Evin Sanat Galerisi, \u0130stanbul
\n2000 10. \u0130stanbul Sanat Fuar\u0131, Evin Sanat Galerisi, T\u00dcYAP, \u0130stanbul
\n2001 Ankart 1. Ankara Sanat Fuar\u0131, Evin Sanat Galerisi, Ankara
\n2001 Karma Resim Sergisi, Evin Sanat Galerisi, Adahan-Yal\u0131kavak, Bodrum
\n2001 11. \u0130stanbul Sanat Fuar\u0131, Evin Sanat Galerisi, T\u00dcYAP, \u0130stanbul
\n2002 Workshop, Malko Turnovo, Bulgaristan
\n2002 \u2018Olimpizm & Olimpiyat Oyunlar\u0131\u2019, 1. Uluslararas\u0131 Resim Sempozyumu, Patras, Yunanistan
\n2002 12. \u0130stanbul Sanat Fuar\u0131, Evin Sanat Galerisi, T\u00dcYAP, \u0130stanbul
\n2003 13. \u0130stanbul Sanat Fuar\u0131, Evin Sanat Galerisi, T\u00dcYAP, \u0130stanbul
\n2004 14. \u0130stanbul Sanat Fuar\u0131, Evin Sanat Galerisi, T\u00dcYAP, \u0130stanbul
\n2005 15. \u0130stanbul Sanat Fuar\u0131, Evin Sanat Galerisi, T\u00dcYAP, \u0130stanbul
\n2006 Uluslararas\u0131 Mimarl\u0131k ve Resim Sempozyumu, Patras, Yunanistan
\n2006 16. \u0130stanbul Sanat Fuar\u0131, Evin Sanat Galerisi, T\u00dcYAP, \u0130stanbul
\n2007 17. \u0130stanbul Sanat Fuar\u0131, Evin Sanat Galerisi, T\u00dcYAP, \u0130stanbul
\n2008 18. \u0130stanbul Sanat Fuar\u0131, Evin Sanat Galerisi, T\u00dcYAP, \u0130stanbul
\n2009 19. \u0130stanbul Sanat Fuar\u0131, Evin Sanat Galerisi, T\u00dcYAP, \u0130stanbul
\n2010 20. \u0130stanbul Sanat Fuar\u0131, Evin Sanat Galerisi, T\u00dcYAP, \u0130stanbul
\n2011 21. \u0130stanbul Sanat Fuar\u0131, Evin Sanat Galerisi, T\u00dcYAP, \u0130stanbul
\n2013 \u2018Yolu Trabzon\u2019dan Ge\u00e7en Sanat\u00e7\u0131lar\u2019 Sergisi, Be\u015fikta\u015f \u00c7a\u011fda\u015f-MKM, \u0130stanbul
\n2013 \u2018Unutmamak\u2019, Be\u015fikta\u015f \u00c7a\u011fda\u015f-MKM, \u0130stanbul
\n2015 \u2018Ellerin B\u00fcy\u00fcs\u00fc\u2019, Folkart, \u0130zmir
\n2016 \u2018Yolu Trabzon\u2019dan Ge\u00e7en Sanat\u00e7\u0131lar II\u2019, Sergisi, Be\u015fikta\u015f \u00c7a\u011fda\u015f-MKM, \u0130stanbul<\/p>\n\n","protected":false},"excerpt":{"rendered":"